Street Cred
In a Fugue State
“Could I write a novel about fugues in the form of a fugue?” Margot Singer wonders in The Paris Review, remembering the process of writing her first novel and considering other authors – Joyce, Nabokov, Woolf – who have tried to compose words musically. See also: our own Jacob Lambert on whether to write with background music on.
Édouard Levé’s “Monstrous Paradox.”
Millions staffer Mark O’Connell recently took a look at Édouard Levé’s Works. “For the most part, it’s a catalogue of unrealized creativity,” he writes. “Which in the very extensiveness of its cataloging becomes a monstrous paradox of realized creativity.” (Related: O’Connell previously reviewed Levé’s Suicide and Autoportrait for our site.)
The Lorax Mourns Another Tree
Readers across the country are mourning a fallen Monterey cypress tree, said to have inspired the classic Dr. Seuss book The Lorax.
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It’s an Honor
As a tribute to James Salter, who died on Friday at ninety, The Paris Review Daily republished his acceptance speech for their Hadada Prize, back in 2011. In the speech, Salter touches on George Plimpton, Barnes and Noble and his novel A Sport and a Pastime. You could also read our interview with the author.
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Joseph Roth’s Letters
“Among the 457 letters in Joseph Roth: A Life in Letters, there is not one love letter,” begins Stefany Anne Goldberg’s review of the author’s collected–and often outright misanthropic–correspondence.
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