For a man who’s retired, Philip Roth is still oddly present in the literary world. Ever since he announced his intention to quit writing, he’s made a stream of public appearances, including an awards ceremony at Yaddo one week after claiming he’d never appear on stage again. So what gives? In The Baffler, J.C. Hallman explains why writers can never really quit, in a piece that nicely complements our own take on literary retirement. FYI, Hallman has written for us.
"Her only 'crime' has been that she has used her 'freedom of speech' to attract attention to injustice, because her conscience will not allow her to remain silent." A campaign calls for the release of Aslı Erdoğan, an acclaimed Turkish novelist currently being held by her government on nebulous charges. Also did you know: our own editor-in-chief, Lydia Kiesling, speaks Turkish?
"Whatever the facts of her life – whether she turned out to be an ancient man living in the Icelandic interior or a woman waiting tables at a Texan diner – Ferrante writes in an autobiographical mode. That is fuel for the truthers, a sort of literary ankle-flashing. But it is also good cover for another motive: a very contemporary form of envy of another’s autonomous space and their creativity, a rage that while they give us their work, they will not also give us their person." On a new collection of Elena Ferrante's letters, interviews and short pieces.
How do you celebrate Pride and Prejudice's 200th birthday? By building a 12-foot tall statue of Colin Firth's Mr. Darcy in his wet shirt. The fiberglass statue is temporarily installed in Hyde Park but will tour the U.K. before settling in Lyme Park, Cheshire, where the famous scene was filmed.
The Longreads team has teamed up with Syracuse assistant professor Aileen Gallagher in order to “search for and share outstanding student work.” If you’ve read (or written) something fantastic this past school year, they encourage you to tag it #college #longreads on Twitter or Tumblr.