“What the novel needs again is tension. And the best source for that tension is serialization.” An argument for bringing back the serialized novel in the spirit of Dickens, Thackeray and Arthur Conan Doyle from The Washington Post.
“I suppose the truth is I became a little self-conscious about people telling me how much they loved my sentences,” says James Salter in his interview with Jonathan Lee. “It’s flattering, but it seemed to me that this love of sentences was in some sense getting in the way of the book itself.” As it happens, our own Sonya Chung reviewed Salter’s latest book this week, and she, too, remarked on Salter’s desire “to ‘get past the great writer-of-sentences thing,’ and presumably the ‘writers’ writer’ thing.”
Recommended reading (and doodling): an excerpt from an upcoming translation of Martin Solares‘s How to Draw a Novel, complete with diagrams and squiggling lines. Pair with our own Hannah Gersen‘s look at authors’s methods for drawing and mapping their own novels-in-progress.