“I’ve come to understand that I’ll rarely experience that first rush of discovery again, and perhaps that’s the problem with re-reading. It reminds us both of where we’ve been and where we can’t go again.” Sarah Seltzer wonders why do we reread books as children but not as adults? Pair with Lisa Levy‘s essay on “The Pleasures and Perils of Rereading.”
Rereading
All in the Family
Anne Enright, who won the Man Booker for her 2007 novel, The Gathering, has a new book out, The Green Road. Like its predecessor, the novel tracks a large Irish family, the Madigans, in a plotline that spans three decades. In the Times, David Leavitt reviews the book.
“I guess you could call this ‘fake livetweeting’.”
The latest installment in The Believer’s “What Would Twitter Do?” series (which we’ve mentioned before) features London Review of Books editor Christian Lorentzen, whose Twitter feed, Sheila Heti writes, “seem[s] like what someone who only expresse[s] himself as a fiction writer within the universe of twitter might come up with.” Meanwhile, Heti has a review of The Love Affairs of Nathaniel P. by Adelle Waldman in (where else?) the LRB.
Book Bailouts
Ukraine is investing approximately $61 million in order to “bolster [the nation’s] reading, publishing and bookselling beginning in 2014 and lasting through 2018.” One concern held by Ukranian literati is the rapidly expanding influx of Russian writing, which some claim have been “push[ing] books from Ukrainian publishers and authors off the shelves.” Meanwhile, Russia recently announced a $100 million stimulus package for its own book industry.
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Aragorn’s Publishing Company
Viggo Mortenson, a.k.a. Aragorn from Lord of the Rings, also happens to have started a publishing company. Perceval Press is devoted to showcasing the talents of little-known authors and artists who might otherwise go undiscovered.
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Poetry Can Be Anything
“He taught me that poetry can be anything and with that comes great freedom.” Reminiscences by a former student of the poet John Ashbery upon his death. And for a contemporary take on the question of just what, exactly, poetry is and/or might be, see our recent conversation between Jill Bialosky and Matthew Zapruder.
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