French-Canadian writers are in an odd place when it comes to Canadian literature. By the official definition of CanLit, they’re part of the canon, yet because of the Quebecois language barrier, they maintain a certain distance from the literature of English Canada. At Page-Turner, Pasha Malla writes about their odd identity. You could also read Andrew Saikali on Canadian novellas.
Quoi?
Russia Debriefing
Mikhail Gorbachev is calling for an annulment of the recent Moscow elections because he’s concerned about “falsifications and rigging.” For your part, you can join the Stateside movement to echo Mr. Gorbachev’s call. Elsewhere, the Russian Socialist Movement is equally outraged. n+1 editor Keith Gessen has also translated some of the local protests.
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All Places Are Temporary
Is he a vandal? Is he a post-Situationist? Maybe the text-art Banksy? Who knows. One thing is for sure – Scottish poet Robert Montgomery is taking his poetry to the streets.
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Tuesday New Release Day: Russell, Koch, Crace, Mohr, Binchy, Conklin, Lasdun
New this week: Karen Russell’s new collection Vampires in the Lemon Grove; buzzed-about thriller The Dinner by Herman Koch; Harvest by Jim Crace; Fight Song by Joshua Mohr; the final novel of the late Maeve Binchy, A Week in Winter; Tara Conklin’s debut The House Girl; and James Lasdun’s non-fiction Give Me Everything You Have: On Being Stalked.
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YiR, BOMB Edition
“It’s not often that I find myself brandishing my copy and yelling, ‘This book.This book! at my husband, but I had that pleasant, awed, envy-inducing reaction.” We obviously love a good end-of-year reading roundup, and BOMB Magazine has “Looking Back on 2016” with entries from Jonathan Lethem, Will Chancellor, and other artists, writers, musicians, and filmmakers.
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Rounding Out Frost’s “Monster Myth”
Over at the New York Times, Jennifer Schuessler previews a forthcoming collection of Robert Frost’s correspondence. It’s a collection, she says, that will go a long way toward rounding out the flat “monster myth” that’s subsumed the poet’s afterlife.
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Mad Money
Modern day celebrities aren’t the only victims of Photoshop. Paula Byrne, a Jane Austen biographer, believes that Austen has been “airbrushed” on her £10 Bank of England note. The portrait makes her look like “a pretty doll with big doe eyes” and diminishes her reputation as an author, Byrne argues.
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