This will either make or ruin your Tuesday: a clip of Orson Welles, in 1974, reminiscing about his relationship with Hemingway. As Sadie Stein writes, “it has everything: titanic ego-clashing, disingenuous concern-trolling, bullfighting, damning with faint praise, posthumous character assassination.” You could also read Jessica Roake on Peter Biskind’s My Lunches with Orson.
Slate has translated famous first lines of literature into emojis, and they’re surprisingly coherent. Pair with Jonathan Russell Clark‘s essay on opening sentences.
“The thriller, set in a dystopian future where women and girls can kill men with a single touch, was the favourite on a shortlist that included former winner Linda Grant and Man Booker-shortlisted Madeleine Thien.” Naomi Alderman’s The Power has become the first speculative work to nab the Baileys prize for women’s fiction, reports The Guardian, noting that the judges said Alderman’s book would be “a classic of the future.” See also: a few years back we highlighted a collaboration between Alderman and Year in Reading alum Margaret Atwood, a comic zombie novel that you can still read in its entirety here.
In the Prospect, an essay on anesthesia, 3D printing, teleportation, LSD, and other thought experiments on self-awareness. Also, this line: “If the spectrum of selfhood begins with the roundworm, surely it ends with Proust.”