“The notebook is where our interior world makes contact with our exterior world; where our instinct for creation is first made material. Our notebooks are our first messy attempts at self-expression, and the ways in which we express ourselves are changing every day.” Sarah Gerard explores the life of the notebook in an essay for Hazlitt. Pair with our own Hannah Gersen‘s look at other methods writers use to keep their ideas straight, from calendars to collages.
On The Notebook
Lost Jupiter Hammon Work Unearthed
An English student at the University of Texas has unearthed previously unpublished writing from Jupiter Hammon, the first published African-American poet. Some of Hammon’s work – which dates back to 1760 – can be found online courtesy of The Poetry Foundation: “A Poem for Children with Thoughts on Death” and “An Address to Miss Phillis Wheatley.”
“Sing for our time, too.”
Photographer Stefano De Luigi, featured in the latest New Yorker, traces the route and oral tradition of Homer's The Odyssey using only an iPhone.
Boiled Down
"Like reading, love works in roughly the same way every time, but the details of any given case are irreducibly particular, and it's in the details that everything happens." Lidija Haas on Elif Batuman's debut novel, The Idiot. (You could also read our review by Virginia Marshall.)
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Gay Talese Has His Own Lapel Shape
Put This On is a "web series about dressing like a grown up." In their seventh episode, they drop by the Corduroy Appreciation Club's annual meeting, and they also check out Gay Talese's closet.
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The Threat of Death
The New Yorker has published the chapter of Salman Rushdie's forthcoming memoir, Joseph Anton, that describes the circumstances of his life immediately after Ayatollah Ruhollah Khomeini, Iran's spiritual leader in 1989, called for his execution by proclaiming a fatwā on the writer, after the controversial treatment of Islamic history and the Prophet Muhammad in The Satanic Verses. PEN American, by the way, accepts donations online.
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