“One of the joys of literature is that we can always push back against established ways of speaking and seeing—and nothing has to be blown up.” Mark Z. Danielewski, whose latest novel, the first installment of a 27-book series called The Familiar, has just been released, writes for The Atlantic‘s “By Heart” series about “signiconic” writing, the orneriness of his work and the graphic novel Here. Pair with our 2012 interview with Danielewski.
Nothing Has to Be Blown Up
Writing on Mute
Even though James McBride (new National Book Award winner for The Good Lord Bird) is an accomplished jazz musician, he doesn’t listen to any music while writing. “Because I’m a musician, listening to music is…it’s a bit like work for me,” he told The Daily Beast for the “How I Write” series.
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Studies of Intensity
In his new book, one of three coming out now or soon, Australian poet Clive James assembles his decades of knowledge into a series of mini-essays, many of which originally appeared in Poetry magazine. At Slate, Katy Waldman reads the collection, explaining why it gave her the urge to quote James ad infinitum. You could also read our own Garth Risk Hallberg on the poet’s book Cultural Amnesia.
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Interview interviews, Vacationers vacation, etc., etc.
Interview, well, interviews Emma Straub on beach reads, vacation, and The Vacationers. Bonus: Elizabeth von Arnim‘s The Enchanted April is mentioned, and if you haven’t already read the book or seen the movie, please do so immediately.
Tuesday New Release Day: Erdrich; Müller; Haddon; Barnes; Null; Hurley; Abramson; Cage
Out this week: LaRose by Louise Erdrich; The Fox Was Ever the Hunter by Herta Müller; The Pier Falls by Mark Haddon; The Noise of Time by Julian Barnes; Allegheny Front by Matthew Neill Null; The Loney by Andrew Michael Hurley; Just Life by Neil Abramson; and The Selected Letters of John Cage. For more on these and other new titles, go read our Great 2016 Book Preview.
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