“One of the joys of literature is that we can always push back against established ways of speaking and seeing—and nothing has to be blown up.” Mark Z. Danielewski, whose latest novel, the first installment of a 27-book series called The Familiar, has just been released, writes for The Atlantic‘s “By Heart” series about “signiconic” writing, the orneriness of his work and the graphic novel Here. Pair with our 2012 interview with Danielewski.
Nothing Has to Be Blown Up
The Graphic Novel Warhorses
Alexander Chee posts the list of texts he used to teach his seminar on the graphic novel at Amherst – the graphic novel “warhorses,” as he calls them – and explains why they are the essential books for those interested in getting to know the form. (via The Rumpus)
●
●
We Asked For It
Sinclair Lewis tried to warn us and we didn’t listen–it can always happen here. Over at The Literary Hub, this piece takes a look at Lewis’s 1935 political novel It Can’t Happen Here as a mirror for Donald Trump’s unlikely rise to political superstardom.
●
●
Michael Bourne’s ‘The Old Home Place’ Published by Straylight
The novella The Old Home Place by longtime Millions staffer Michael Bourne offers an intimate look at an ambitious young couple, in love and in trouble, as they grapple with America’s complex racial history.
●
●
●
‘Bout Goddamn Time
In The Guardian, Sam Leith reviews Holy Sh*t: A History of Swearing, a new book by Melissa Mohr. In it, Mohr argues that swearing just ain’t what it ****ing used to be, man.
●
●
Uncommon Thrills
In the Times Book Review, Year in Reading alum and Edinburgh author Alexander Chee reviews Everything I Never Told You by Celeste Ng, a Millions contributor. He describes the book as, among other things, a departure from your average literary thriller: “If we know this story, we haven’t seen it yet in American fiction, not until now.”
And a Not-So-Happy New Year
Is this the best Christmas card in history? Several members of the Paris Review staff received cards that bore the following William Gaddis quote: “‘Merry Christmas,’ the man threatened.” (h/t Justin Alvarez)
