Think Knausgaard is the only Norwegian writer worth knowing? Think again. Lit Hub has a roundup of “Five Great Norwegian Writers Not Named Knausgaard.”
Over at Aeon, Jenny Davidson explores what makes a great sentence. As she puts it, “A great sentence makes you want to chew it over slowly in your mouth the first time you read it. A great sentence compels you to rehearse it again in your mind’s ear, and then again later on.” Pair with our own Michael Bourne’s essay on sentence structure for creative writers.
Out this week: Beatlebone by Kevin Barry; Memory Theater by Simon Critchley; Bright Scythe: Selected Poems by Tomas Tranströmer; Charmed Particles by Chrissy Kolaya; and This Old Man by Roger Angell. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
The CS Monitor has a little piece about the travails of teenage novelists: “A youthful sensation doesn’t always translate into a distinguished literary career. For many teen authors, that first book proves a hard act to follow. Some never again meet with the kind of praise critics heaped upon their first offerings.”Speaking of (once) young phenoms, Bret Easton Ellis has a flashy new Web site that promotes his upcoming novel, Lunar Park. I’ve never read Ellis, but the Web site seems to indicate that this upcoming novel is about a character named Bret Easton Ellis, and it may or may not be autobiographical. Very meta. There’s an excerpt in there too.I’ve been enjoying EarthGoat lately. It’s a group blog out of Iowa City.
“The immigrant who arrives too late in life to adapt to his new country, but too early to survive on nostalgia for the old country, has to create a third, imagined country to live in.” Peter Pomerantsev writes for the London Review of Books about Brighton Beach, Russian immigrants and a “self-made America.” Pair with Matthew Wolfson‘s review of Yelena Akhtiorskaya‘s novel of Brighton Beach and Odessa, Panic in a Suitcase.
Why do some ideas only come to you when you’re under a tremendous amount of pressure? At the Ploughshares blog, S. Hope Mills reflects on the importance of deadlines, which may explain (according to Guardian columnist Robert Crum) why Dickens chose to serialize his novels.