Back in March, I pointed readers to an interview with Minae Mizumura, whose recent book, The Fall of Language in the Age of English, makes a case against the dominance of the English language in the modern age. Now, at Full-Stop, Sho Spaeth reviews the book. Sample quote: “She has a curious blindness to what may be her greatest offense of all to the prevailing attitude of our age: a naive rejection of the idea that novels, and their novelists, exist merely to entertain.”
"The last line of Saul Bellow's 'A Single Dish' is nothing like poetry. I can’t tell you what any single one of those words means. Imagine you’re a lexicographer and you have to define the word that, or how. And on top of this, there’s none of Bellow’s typical play with rhythm and language—it’s almost a non-sentence. And yet, when I get to it in the story, I weep." Ethan Canin at The Atlantic on how Saul Bellow packs so much emotion into a single sentence. Here are a couple Bellow-related Millions links for your perusing pleasure.
"But where Smiley condescended, others were enthralled. Salmon Rushdie waxed lyrical, John Updike found it 'stunning,' Susan Sontag hosted him at dinner parties. Gabriel Garcia Marquez dubbed him, simply, 'the Master' - high praise from the founder of magical realism, but Kapuściński seemed to one-up Garcia Marquez by injecting magic into real politics, and elucidating thereby the human tension and bewilderment connected to power that traditional journalism left hidden." Ryszard Kapuściński: novelist? Journalist? Or something else entirely?
Recommended Reading: Orlando Luis Pardo Lazo collected sixteen short stories from sixteen authors among Cuba’s “Generación Año Cero” (Generation Year Zero), which is a “movement of writers who began publishing in 2000.” The anthology, which is available for free online in both English and Spanish, features illustrations from Cuban artists El Sexto and Luis Trápaga.
Blasphemy Alert: They’re giving the film version of August: Osage County a “less downbeat” ending. Curse you, Harvey Weinstein! Is nothing sacred? Can a woman not lament the disintegration of her life, family, and mental stability while the final lines to T.S. Eliot’s “The Hollow Men” are read by her housekeeper? Has America gone soft?
Edward Norton has wanted to adapt Jonathan Lethem's Motherless Brooklyn since it came out, but finding financing was almost as difficult as solving Frank Minna's murder. Now, Brett Ratner has agreed to fund the film with Norton directing and starring as Lionel Essrog.