“Joy and wonder. That’s at the heart of what I love about the natural world. If you’re receptive to it, it does something to human minds that nothing else can do.” Electric Literature talks with Helen MacDonald about living with, and like, a goshawk. Pair with Madeleine Larue‘s Millions review of MacDonald’s H is for Hawk.
Finalists for the Center For Fiction’s First Novel Prize—including Sophie McManus, Ben Metcalf, Lori Ostlund, Viet Thanh Nguyen, Chigozie Obioma, Tanwi Nandini Islam, and Angela Flournoy—discuss the books that made them the writers they are today. Pair with our own Nick Ripatrazone’s recent article on authors’ favorite childhood books.
Big congratulations to Millions staffer Emily St. John Mandel, whose novel The Singer’s Gun was shortlisted for the Indie Booksellers Choice Award!
Recommended Reading: All of the New York Times Book Review’s “Money” issue is worth a look, but in particular I recommend checking out Chris Ware’s original graphic short story. (Bonus: the Building Stories author recently contributed to our Year In Reading series.)
“In addition to fearing, as a young person, that I lacked sophistication, I also feared that I lacked courage. It was hard for me to say something even mildly tough about someone else or their work; hard for me, generally, to be critical. Mary McCarthy had no such trouble.” Meg Wolitzer, author of The Interestings, writes about her literary idol for the LA Times.
In Ireland, Easter is a holiday with great historical significance, thanks to the eponymous uprising that took place in Dublin in 1916. W.B. Yeats lived a short distance away from the spot where the uprising began. Compelled to write about the event, Yeats produced one of his most famous poems, the genius of which is analyzed here by Brett Beasleyin. You could also read Matt Kavanagh on Irish financial fiction after 2008.