Recommended viewing: a trailer for the upcoming David Foster Wallace movie, an adaptation of David Lipsky‘s memoir of his road-trip with the author, Although of Course You End Up Becoming Yourself, is now available online.
Jason Segel’s DFW
Tuesday New Release Day: Harkaway, Nescio, Lehrer, Kerouac, Galassi
New this week are Nick Harkaway’s Angelmaker (reviewed here), Nescio’s Amsterdam Stories (reviewed here), Jonah Lehrer’s Imagine: How Creativity Works, Jack Kerouac’s “lost novel” The Sea is My Brother, and a new collection of poetry from Jonathan Galassi, Left-Handed.
I’d Like to Thank…
“It is not, however, fashionable to love acknowledgments, and for good reason: Most of them are numbingly predictable in their architecture, little Levittowns of gratitude.” In her last piece for The New York Times as a daily book critic, Jennifer Senior writes about her unabashed love for acknowledgements in books. From our archives: Henriette Lazaridis‘s essay on the same topic.
Stay Woken
“Woken is the usual past participle of the verb wake in modern English, but in some historical and contemporary varieties the past tense form woke is also used as a past participle.” The Oxford English Dictionary offers notes on the more than 600 new words, phrases, and senses added to its lexicon this quarter, including hygge, particle zoo, post-truth, and woke. Perhaps the OED can help our own Edan Lepucki, who needs help giving 11 feelings and experiences names.
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Girl Prodigies
Millions contributor Michelle Dean wrote for The New Yorker‘s Page Turner about Opal Whiteley, whose childhood diary–written when she was six on scraps of paper–was published over 100 years ago to meet with acclaim, then controversy, and then obscurity. If girl prodigies interest you as much as they do me, you’ll also love this 2010 piece from Lapham’s Quarterly, on Barbara Newhall Follett.
A Return to Form
“As a writer, it’s not like all experience is useful, but when something is troubling, a form can present itself as a way to think. To put what is essentially chaotic into a container where it can be what it is.” The Rumpus interviews John Freeman, the Executive Editor of LitHub, about his recent literary projects, the death of his mother, and empathy. Pair with: Contributing Editor Nick Ripatrazone‘s Year in Reading which includes Freeman’s debut poetry collection, Maps.
“I guess you could call this ‘fake livetweeting’.”
The latest installment in The Believer’s “What Would Twitter Do?” series (which we’ve mentioned before) features London Review of Books editor Christian Lorentzen, whose Twitter feed, Sheila Heti writes, “seem[s] like what someone who only expresse[s] himself as a fiction writer within the universe of twitter might come up with.” Meanwhile, Heti has a review of The Love Affairs of Nathaniel P. by Adelle Waldman in (where else?) the LRB.
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The Poet Carried No Revolvers
Recommended Viewing: Go and check out the delightfully illustrated comic “Amiri Baraka Is in Contempt” by Nathan Gelgud at The Paris Review.
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