This summer Antosha Chekhonte’s (aka Anton Chekhov‘s) first book The Prank will finally be published after more than 130 years of waiting, and it’s been described as “frankly indispensable for readers of Chekhov, or Russian literature, or comedic literature, or parody, or any and all literature” generally. Pair with our own Sonya Chung‘s essay, “I Heart Chekhov.”
I Heart Antosha Chekhonte
Long-form Godfather
Ernest Hemingway, "the godfather of long-form" nonfiction? Richard Brody argues so in the New Yorker, citing Hemingway's autobiographical, and wildly ambitious, The Green Hills of Africa.
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Gina Frangello on Writers Lists
Over on The Nervous Breakdown, a thoughtful piece from Gina Frangello on the recent lists of writers from The New Yorker and Dzanc: "The thing is: being a writer can kinda feel like never leaving high school."
Smart Money
Colson Whitehead will be playing in next month's World Series of Poker. He's writing about it for Grantland, Bill Simmons' new ESPN affiliate. He's also accepting sponsorships.
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The Cancer of Culture, the Culture of Cancer
Citizen author Claudia Rankine has announced that her next book will be on the culture of cancer. “I’m interested in being in a restaurant and wondering about eating a steak and if it’s hormone-injected and eating it anyway," she said.
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The Women Who Reclaimed the Streets
“For a woman to be a flâneuse, first and foremost, she’s got to be a walker – someone who gets to know the city by wandering its streets, investigating its dark corners, peering behind façades, penetrating into secret courtyards. Virginia Woolf called it ‘street haunting’ in an essay by that name: sailing out into a winter evening, surrounded by the ‘champagne brightness of the air and the sociability of the streets,’ we leave the things that define us at home, and become ‘part of that vast republican army of anonymous trampers.’” On the female flâneur. Also check out this Millions essay about the flâneur in modern fiction.
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The Cultural Logic of Margaret Atwood
Fredric Jameson reviews Margaret Atwood's Year of the Flood for the London Review of Books.
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