How to Research
I Can’t Read
If you’re like this writer, you’ve read enough by now about the scourge of writer’s block. The literature on authors having trouble producing literature is enough to sustain a whole genre by itself. Which is why it’s refreshing to read this article, which tackles another problem: the vexing, peculiar strain of overload known as reader’s block.
“MFA Thesis (and/or Life Reevaluation)”
Did your MFA program offer impractical courses like “Problems in Modern Fiction”? At the Ploughshares blog, Rebecca Makkai offers some suggestions for more useful classes, such as “Introduction to Despair,” “Pretending You’re Talking to Terry Gross When You’re Alone in the Car,” and “The Art of the Flirty Author Photo Grimace.” Pair with: Our interview with Makkai.
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A Fine Statement
This piece on the limited language of David Lynch from Dennis Lim over at The New Yorker is a fascinating journey into the mind of the peculiar auteur behind such gems as Eraserhead and Twin Peaks. Lynch will be publishing what he has called a “quasi-memoir” sometime in 2017.
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Neglected Classics
Readers and writers and professors tend to read and talk about the same books over and over again. Moby-Dick? Check. Anna Karenina? Of course. But what about the books that deserve the same attention and love but don’t seem to get it? There are too many to name, of course, but The American Scholar has put together a list of 10 such “neglected classics.”
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Back to School
The Guardian has a list of its five favorite on-campus novels, including Jeffrey Eugenides‘ The Marriage Plot, which we ran an excerpt of back when it came out, and Donna Tartt‘s The Secret History, whose connections to the academy we’ve also explored on the site.
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On the Mark
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The Present Tense
Recommended Reading: This fantastic new story from The London Review of Books by Hilary Mantel, winner of two Booker Prizes. Here’s an interview with Mantel from The Millions on character assassination and dealing with the haters.
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