Recommended Reading: The Rumpus interview with Mark Z. Danielewski.
"I think if a woman is absolutely happy with herself, that goes a long way in getting others to accept her choices. But it’s hard to be absolutely happy with yourself, whoever you are. I mean, what kind of maniac is that?" What kind of maniac are you? This interview with Mary Gaitskill from Guernica Magazine is fantastic.
Christopher Higgs was teaching Grace Krilanovich’s The Orange Eats Creeps, and one of his students was inspired to make a mixtape featuring “the twisted, crusty, and often sublime characters found within the novel.” (The book, by the way, was one of my selections for Year in Reading last year.)
Jeff Sharlet had a challenge for his creative nonfiction students at Dartmouth College. Sensing that journalism had become too “dull,” too mired in a “culture of professionalism” divided “between reporting and ‘storytelling,’” Sharlet asked his students who didn’t “know [any] better” to create a magazine of their own. The result, 40 Towns, embraces “the right conditions” of literary creation – immersion, journalism, regionalism and “a term of revision” – to present a “collection of documents, artifacts of real life” about the Upper Valley.
"After [WWII], the other Finnish artists formed themselves into political groups but Tove wasn’t a joiner; besides, the only political activity she enjoyed was tyrant-baiting. She decided to emigrate to the island kingdom of Tonga but the governor wrote back saying there was a housing shortage and she wouldn’t be welcome. So she created her own Tonga: Moominland." A new biography looks at the "conflicted life" and creative work of Tove Jansson, whose name has appeared several times here at The Millions.
“Few countries that debuted in the 1700s have been as controversial or long running (it’s into its 237th season now) as America. It may not have the staying power of perennial favorites such as China or the credibility of indie darlings such as Finland, but America has proven that it can at least make some cultural impact. It’s not the best, but hey, they can’t all be Louie.”