Fact: 4 percent of books are written by secret government agencies, while a full .5 percent are authored by helpful elves. How do we know? The New Yorker said so.
“But every time I sat down in my desk, my heart raced. I forgot the words, my sentences sounded wordy, unnecessary, ugly.” Our own Bruna Dantas Lobato writes about anxiety and writer’s block for Ploughshares. Pair with her Staff Pick for The Millions, Juan Goytisolo’s Count Julian.
Harper Perennial is pairing the expansive resources of a major publishing house with the exciting risks of an indie press. Could this magical formula catch on at other houses?
In a piece for The New York Times Jennifer Moses takes a tour of south Louisiana, "a place that produces writers the way France produces cheese — prodigiously, and with world-class excellence — a place that calls on its writers’ talent and inspiration and, in turn, is reflected back into the world through their words," and of the past haunts of Tennessee Williams, Anne Rice and Kate Chopin.
"Joy and wonder. That’s at the heart of what I love about the natural world. If you’re receptive to it, it does something to human minds that nothing else can do." Electric Literature talks with Helen MacDonald about living with, and like, a goshawk. Pair with Madeleine Larue's Millions review of MacDonald's H is for Hawk.
"Quite possibly I’m a narrower, nastier and less morally responsible writer now than I was the day before my son was born. I certainly hope so." We know Father's Day was over a week ago, but here's a belated link to a refreshingly cliché-free New York Times Bookends piece on parenting and writing, featuring James Parker and Mohsin Hamid.