There’s been a lot of digital ink spilled about the traumas lurking in the comment section. It’s almost a rite of passage to get abused for something you write. But there’s another kind of trauma — what happens when you get no comments at all? At The Rumpus, Rachel Newcombe writes about a new kind of emptiness.
“It took me ten years (four of writing, six of rewriting) to complete The Listener. Now ‘trans is trending,’ and the book has been published into this particular cultural moment, one I could never have envisioned twelve years ago.” Rachel Basch discusses writing in the context of social change at Lit Hub. Pair with our own Sonya Chung’s piece on literary activism.
Thanks to the work of archivists at The Harry Ransom Center at the University of Texas, two scholars have unearthed a 1901 play by Edith Wharton called "The Shadow of a Doubt," reports The Guardian. “After all this time, nobody thought there were long, full scale, completed, original, professional works by Wharton still out there that we didn’t know about. But evidently there are. In 2017, Edith Wharton continues to surprise.” Pair with this reflection on the role of New York City in Wharton's novels.
Enlightenment comes in many guises, and though we usually think of it as arriving in a koi pond or a distant mountaintop, we can also find it, as the protagonist of Year in Reading alum Tom McCarthy’s new novel attempts to do, on Staten Island. In The New Republic, David Marcus reads the book.