This week marked the 90th anniversary of Mrs. Dalloway‘s publication. Over at The Paris Review, Sadie Stein posted an animated adaptation of the novel, which she describes as “either the worst or the best… depending upon how highly you value things like coherence, tone, and style.”
An Animated Dalloway
“Full, unfettered pomp”
On Friday, I wrote about the British writer William Boyd, whose new play, Longing, debuted last week at London’s Hampstead Theatre. The play is based on two of Chekhov’s short stories, one of which (according to Boyd’s new article in The Guardian) sheds light on the great author’s love life. Apparently the young Anton had “at least two dozen” affairs.
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A Portrait of the Artist
John Berger meditates on the life and work of Rembrandt, in an exclusive excerpt from his forthcoming book. As he puts it, “Rembrandt drew because he liked drawing. It was a daily reminder of what surrounded him.”
New Norman Rush
New Yorker book critic James Wood dropped in on our “Best of the Millennium” piece on Norman Rush’s Mortals and offered this tidbit, “I think [Rush’s] next book — his first to be set in America — will be unlike anything he has written before.”
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Who Pays Blogs
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The Darkest, Funniest Horse
“As a Pulitzer winner, it’s a unicorn.” For the Washington Post, book critic Ron Charles praised the Pulitzer Prize judges for awarding the Fiction prize to Andrew Sean Greer‘s Less, a comedic, “laugh-till-you-can’t-breathe funny” novel. Pair with: our post with all the 2018 Pulitzer winners.
Presidential Poetry
Much ado was made about “One Today,” Richard Blanco’s inaugural poem for president Barack Obama, but also worth checking out is Paul Muldoon’s “For Barack Obama: His Second Inauguration.”
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