This week in book-related infographics that are also, as an added bonus, interactive: “A Google Map of All Your Favorite Books,” via Electric Literature.
Out this week: The Dark Dark by Samantha Hunt; The Epiphany Machine by David Burr Gerrard; Like A Fading Shadow by Antonio Muñoz Molina; Beautiful Animals by Lawrence Osborne; The Dog’s Last Walk by Howard Jacobson; and Less by Andrew Sean Greer. For more on these and other new titles, go read our just-published book preview.
Adam Gopnik at the New Yorker comments on why we still write to win prizes (and hails Mario Vargas Llosa for having “a lively personal life that includes once punching out another future laureate…Gabriel García Márquez, reportedly over something to do with Mrs. Vargas Llosa. The Nobel thus not only crowns a career but provides the basis for a fine future Javier Bardem/Antonio Banderas movie.”)
“Historians, I believe, are dedicated to fighting against the tide of our social amnesia. The reason they continue to write books about the Holocaust, or Appomatox, or the earthquake in Haiti, is to try to help us remember the suffering and the extent of the damage. Some try to humanize, and others turn to abstraction.” Stewart L. Sinclair writes on burying the remnants of disaster, over at Guernica. Pair with his Millions essay on technology and Apple’s operating systems.
“Six thousand books is a lot of reading, true, but the trash like Hell’s Belles and Kid Colt and The Legend of the Lost Arroyo and even Part-Time Harlot, Full-Time Tramp that I devoured during my misspent teens really puff up the numbers. And in any case, it is nowhere near a record. Winston Churchill supposedly read a book every day of his life, even while he was saving Western Civilization from the Nazis. This is quite an accomplishment, because by some accounts Winston Churchill spent all of World War II completely hammered.”