Recommended reading: Alexander Chee‘s essay “Against Wunderkinds.”
Joel Rice has a new column up at McSweeney’s, in which he looks at “the literature of skateboarding.” All in all, this kind of reflective writing should pair nicely with Nick Courage’s fantastic Paris Review piece from last month. (Bonus: Rice’s column linked above also features a nice little bit of David Foster Wallace memorabilia.)
“According to an interview with her publishers in the Italian literary newsletter Il Libraio, translated in The Guardian, Ferrante is putting pen to paper once more.” A year after Elena Ferrante‘s alleged true identity was revealed by a journalist, the intensely-private author is writing again but has no plans to publish a novel in 2018. Pair with: staff writer Marie Myung-Ok Lee‘s essay on Ferrante, privacy, and woman writers.
Last week, JK Rowling announced that, midway through writing the Harry Potter series, she nearly killed off Ron Weasley “out of spite.” Ron isn’t the first supporting character to narrowly avoid death in an author’s rough draft. The Awl illustrates some of literature’s other close calls with death.
Is “the two-person collaboration… the essential creative act”? Joshua Wolf Shenk thinks so, and he’s written a book defending his position, aptly titled The Powers of Two: Finding the Essence of Innovation in Creative Pairs. While John Lennon and Paul McCartney are his primary examples and the root of his argument, famous author duos are also referenced – C.S. Lewis and J. R. R. Tolkien, for one. Shenk even “works to transform even famously lonely figures — Rainer Maria Rilke, Emily Dickinson, Martin Luther King Jr. — into one side of a duet.” Consider us skeptical but intrigued.