This week in book-to-film adaptations: Meredith Goldstein rounds up some possible and upcoming projects for The Boston Globe, including adaptations of The Goldfinch (which we cast here) and our own Emily St. John Mandel‘s Station Eleven.
New this week: Zero K by Don DeLillo; Sweet Lamb of Heaven by Lydia Millet; Everybody’s Fool by Richard Russo; The Sport of Kings by C.E. Morgan; Imagine Me Gone by Adam Haslett; and Eleven Hours by Pamela Erens (who we interviewed). For more on these and other new titles, go read our Great 2016 Book Preview.
In 2003, Mary Roach kicked off her book-publishing career with Stiff, a look into the lifespans (pun intended) of cadavers and the ethics of using them for study. At Lapham’s Quarterly, you'll find the 2001 magazine article that Roach later expanded into Stiff. (Related: we interviewed Roach back in April.)
Haruki Murakami's love for jazz is no secret - he used to own a jazz bar, he's written full essay collections on the music, and his books are peppered with references to jazz songs and musicians. How fitting, then, that there's finally a playlist of jazz songs mentioned in Murakami's writings. Pair with our many past essays on Murakami.
"The American poem was not in a grave at that time; not by any measure. There was achievement, experiment, excitement. But there was also confinement. It could be felt in the air, in an ethos of conditional acceptance. A young woman poet was not yet a familiar sight. When Auden remarked about [Adrienne] Rich’s poems, after choosing her as a Yale Younger Poet, that they were 'neatly and modestly dressed,' it sounded more like a counsel for the nursery than acclaim for a new writer.” At The New Republic, Eavan Boland reflects on the legacy of the poet, whose posthumous collection, Later Poems, came out last week.
"I'm not paranoid, I'm really not." The Washington Post has a profile of the so-called American Redoubt, an area of the Pacific Northwest populated by doomsday preppers. Pair with our own Emily St. John Mandel's reading list of five can't-miss apocalyptic narratives.