This week in book-to-film adaptations: Meredith Goldstein rounds up some possible and upcoming projects for The Boston Globe, including adaptations of The Goldfinch (which we cast here) and our own Emily St. John Mandel‘s Station Eleven.
How do you write an accurate memoir without perpetuating stereotypes? Jesmyn Ward struggled with this when writing about absent black fathers and husbands in her book Men We Reaped. “I also had to figure out how much of the truth do I tell, how do I make the truth as balanced as I possibly can? How do I make these people as complicated and as human and as unique and as multifaceted as I possibly can? For me, that was the way I attempted to counteract some of that criticism,” she told The Rumpus.
“Is this skyscraper autobiographical?” People say some pretty ridiculous things about writing. To put it in perspective, Mallory Ortberg presents “If We Talked About Architecture Like We Talk About Writing.”