This week in book-related infographics: “A History of Pen Names,” from Robinson Crusoe to Dr. Seuss to Toni Morrison.
“According to David Means and his debut novel, Hystopia, [classic war novels] aren’t simply about confronting the horrors of war, but also about concealing them, hiding them under a layer of rationalizations and wishful thinking that often simplifies their lawless anarchy and finds sense, meaning and purpose where there’s little.” Over at Electric Lit, Simon Chandler reviews David Means’s Hystopia.
On the New Yorker’s Elements blog, our own Mark O’Connell writes about Cloak, a new app which lets you avoid people you don’t want to bump into by accident. Despite the fact that Mark can see himself using the app, he finds it “ultimately troubling,” in large part because it strikes him as “such a lonely thing to have achieved through technological control of our social environments.” (Speaking of apps, have you read Mark’s epic e-book?)
Writing for n+1’s City by City series, Moira Donegan remarks on the “self-defeating contradictions” of working at a nonprofit in New Orleans. It’s a town, she writes, where most arrive to either “perform charity or to party,” and where, she feels, “many of the people who … come to help the city [are] also hurting it.” In certain ways, the piece can be read as being in conversation with Duncan Murrell’s 2012 essay for Oxford American about authenticity, preservation, posterity, and the Big Easy.
Fancy a stroll? Flaneur, a new Berlin-based magazine, profiles one street per issue. It explores the culture, literature, people, and landmarks that make each street unique. The first is Berlin’s Kantstrasse. Pair with: Hyperreal Cartography, a tumblr of “real maps of places that exist but don’t.”
“What we call them is entirely irrelevant: emigrants, migrants, refugees, exiles—we all know to whom we refer. Refugeedom is our common cultural meme. It is the story with which Christian civilization begins. We bear the imprint of the furious index finger God used to banish Adam and Eve from Eden.” Dubravka Ugrešić writes about displacement and the refugee crisis for the Literary Hub. Pair with Arnon Grunberg’s Millions essay on Ugrešić’s legacy.