New this week: God Help the Child by Toni Morrison; The Blondes by Emily Schultz; The Miracle Girl by Andrew Roe; Positive by David Wellington; This Is How It Really Sounds by Stuart Archer Cohen; When the Night Comes by Favel Parrett; Seven Devils by M.G. Miller; and Paris Red by Maureen Gibbon. For more on these and other new titles, check out our Great 2015 Book Preview.
James Tate Hill shares his experiences as a writer who cannot read. “When I say I can’t read, I’m not referring to illiteracy, but to the large blind spots in my central field of vision that put an end to my unremarkable driving career a few months after my 16th birthday.”
Are you still not following Pentametron, even after I urged you to do so last week? (And even after New York Magazine added it to its Approval Matrix?) Well, if that’s the case, I shouldn’t even share Earwickr with you. You don’t deserve to read Finnegans Wake spelled out on your Twitter timeline, 140 characters at a time. (Bonus: Michael Chabon reviews James Joyce’s final work for The New York Review of Books.)
If we are, as Adam Kirsch writes, in the midst of a golden age of essays, we might want to ask exactly which essays are proof of this golden age. His first three picks — My Heart is an Idiot, I Was Told There’d Be Cake and Pulphead — are unsurprising choices, but then it gets a bit more interesting when he looks at Sheila Heti’s latest novel. (You could also check out a few of our pieces on these books.)