“I find it amusing that people think trying to read a book in a language you do not understand is the most boring activity in the world. If you are interested in how literature works, these things are interesting.” On Lydia Davis‘s interest in learning to read Norwegian literature and writing at the end of the world, from the newly-launched Lit Hub.
To Learn Norwegian
Your Local Heroes
Thanks to the generosity of Daniel Handler, the American Library Association has launched the Lemony Snicket Prize for Noble Librarians Faced with Adversity. The prize will award $3,000 and an “odd, symbolic object” of Handler’s choosing to a librarian who “has faced adversity with integrity and dignity intact.” (h/t The Paris Review)
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Better To Let It Be
"Notes: Finally, a Pokémon that gets it: the living epitome of the unbearable ennui that characterizes life in the modern age. Despite having the mass of a cement truck, the Snorlax has the calm bearing of a yogi. Its rhythmic snoring chimes the steadfast paternoster of enlightened meditation. This is one Pokémon that truly doesn’t give a shit. One cannot help but feel humbled to be in the face of divinity." The only thing that could make Pokémon Go any better would be playing it with Anthony Bourdain. At McSweeney's, Allen Zhang imagines the opportunity.
Tintin Ruling
Good news for Tintinologists, if not guards of political correctness: Tintin in the Congo has been deemed "not racist" by a Belgian judicial adviser.
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Sloane Crosley’s Travel Advice
Sloane Crosley, this year's editor of The Best American Travel Writing, out today, wrote some key travel tips for those who are vain, budget-conscious, and notoriously lazy.
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Garrets Etc.
Most writers, unless they’re lucky enough to have an ideal place in which to work, make do with the best space available. For Colum McCann’s father, the shed in his backyard, which “always smelled damp inside, as if the rain rose up out of the carpet,” sufficed for the fiction he wrote after coming home from work. At Page-Turner, the National Book Award winner and Year in Reading alum remembers his father’s retreat.
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The Ultimate Sentence
"If one-sentence stories are as common as snowflakes, one-sentence novels are as rare as white ravens." At The New Yorker, Brad Leithauser writes about the one-sentence novel or the point when the story builds to a particular sentence. To give you an example, here's one of his favorites from Lolita: "I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art."
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