“I find it amusing that people think trying to read a book in a language you do not understand is the most boring activity in the world. If you are interested in how literature works, these things are interesting.” On Lydia Davis‘s interest in learning to read Norwegian literature and writing at the end of the world, from the newly-launched Lit Hub.
If you haven’t gotten enough of literary New York quite yet, here’s what the Guardian (UK) thinks you should be reading about “the American dream concretised in a shimmering mirage, the burgeoning metropolis of hope built on foundations of money, drugs and exploitation.” Less judgmentally, Grantland’s Kevin Nguyen focuses on two new books set in Queens, recommending High As the Horses’ Bridles by The Millions’ own Scott Cheshire, which is no Brooklyn hipster novel: his opening scene (“among the finest published this year”) has a 12-year-old offering a prophecy of Armageddon.
You may not expect much from a write-up about The Smiths’ new collected box set, Complete, but that’s about to change. In a phenomenal piece on the relationship between racial (in particular Asian) otherness and the UK band’s music, Sukhdev Sandhu explains how Morrissey’s “lyrics and persona mapped out a structure of feeling that spoke to my own floundering selfhood.”