A couple weeks ago, our own Janet Potter reviewed Jon Ronson’s So You’ve Been Publicly Shamed, a new book which examines the rise of public shaming on social media. In the Times, Ronson takes part in the paper’s By the Book series, several entries of which we’ve written about before. Among other things, he recommends The Girl on the Train by Paula Hawkins and Violence by James Gilligan.
"While others ... have explored the more serious contexts of online humor, particularly when it tilts into the grim and mean, in Epic Fail [Mark] O’Connell makes a useful addition to what I’ll refer to as Lulz Studies by attempting to put this variety of Schadenfreude in cultural-historical perspective."
"Wallace’s fiction contains enormous cruelty... But it is also a deeply moral body of work. Its difficulties, and many of its cruelties, exist for specific reasons. Whether Wallace’s fraught projects are successes or failures is up to the individual, but these are judgments that all serious readers should want to make for themselves." Chris Power considers David Foster Wallace's short stories in an essay for The Guardian and argues that after Infinite Jest they just might be the most important work he produced.
“Once certain hurdles are cleared (a bit of talent, years of work), being a writer is like flying a kite in a storm in a field full of people flying kites in a storm.” Garth Greenwell on writing his first novel, the importance of failure, and giving oneself privacy to make mistakes. Pair with Meredith Turits's Millions piece, featuring six writers looking back on their first novels.