A couple weeks ago, our own Janet Potter reviewed Jon Ronson’s So You’ve Been Publicly Shamed, a new book which examines the rise of public shaming on social media. In the Times, Ronson takes part in the paper’s By the Book series, several entries of which we’ve written about before. Among other things, he recommends The Girl on the Train by Paula Hawkins and Violence by James Gilligan.
How do you know when you’re finished writing a novel? Electric Literature’s advice column, The Blunt Instrument, tackles the timeless questions of how to begin and when to end. If it’s endings you’re after, this piece from The Millions on writers and last lines will help give you some closure.
At The Rumpus, Shawn Andrew Mitchell reviews Dark Lies the Island, the new short story collection by the Irish writer Kevin Barry. Mitchell quotes a number of the book’s more interesting idioms and perceives “an impolitic decadence to how Barry couples his words.” (Related: we interviewed Barry a few weeks ago.)
Fifty years after T.S. Eliot’s death, the poet’s estate has finally agreed to authorize a biography, which explains the publication of Young Eliot, a new book on his early years. Among other things, the book reveals details about Eliot’s first marriage, in which his wife Vivienne Haigh-Wood gave him the nickname “dearest Wonkypenky.”