A couple weeks ago, our own Janet Potter reviewed Jon Ronson’s So You’ve Been Publicly Shamed, a new book which examines the rise of public shaming on social media. In the Times, Ronson takes part in the paper’s By the Book series, several entries of which we’ve written about before. Among other things, he recommends The Girl on the Train by Paula Hawkins and Violence by James Gilligan.
The Shame King
Linkage
The CS Monitor has a little piece about the travails of teenage novelists: “A youthful sensation doesn’t always translate into a distinguished literary career. For many teen authors, that first book proves a hard act to follow. Some never again meet with the kind of praise critics heaped upon their first offerings.”Speaking of (once) young phenoms, Bret Easton Ellis has a flashy new Web site that promotes his upcoming novel, Lunar Park. I’ve never read Ellis, but the Web site seems to indicate that this upcoming novel is about a character named Bret Easton Ellis, and it may or may not be autobiographical. Very meta. There’s an excerpt in there too.I’ve been enjoying EarthGoat lately. It’s a group blog out of Iowa City.
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Novelist of ideas
Millions contributor Charles Finch writes about Norman Rush, author of Mortals and Mating, “There is the constant possibility that the next sentence is about to tell us something new.” Pair with our own review.
If we explain this any more the joke will be lost
“The Time I Spent On A Commercial Whaling Ship Totally Changed My Perspective On The World,” a blogger named Ishmael writes, on the sister blog to The Onion. (But I like these titles better.)
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Fin
How would you feel if your novels all fell apart at the end? The writer Ann Bauer knows this feeling, and it’s painful — she says that her readers inevitably tell her the endings of her novels are all wrong. (You could also read our own Sonya Chung’s essay on literary endings.)
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Top Five Desert Island Poems
For all you High Fidelity enthusiasts out there: the hidden world of literary record collecting.
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