“My friend Kathy was a Mustang Ranch girl in the eighties, had a line on how to bring cocaine into town, and was party girl central and making a lot of money. She was in the center of it in a way that my characters can see but they can’t ever get to. Reno is a beautiful, beat up, and weird town devoted to this false notion of luck. It’s a beautiful place.” Talking with Christian Kiefer.
The international popularity and utility of English doesn’t show any signs of slowing, but what will the language look like after a few generations of increasing usage? The Economist gives a brief answer, but it doesn’t address the ways English is or will be used by different people to tell their stories. Damian Fowler addresses this when he asks, “[W]hat does it mean to have an American point of view,” or to call a book American in tone, as opposed to British or just English-language? In a blog post for The Paris Review, Fowler offers an answer: American novels are characterized by “a spare, sure sense of narrative, reflected in a colloquial voice, free of affectation.”