“My friend Kathy was a Mustang Ranch girl in the eighties, had a line on how to bring cocaine into town, and was party girl central and making a lot of money. She was in the center of it in a way that my characters can see but they can’t ever get to. Reno is a beautiful, beat up, and weird town devoted to this false notion of luck. It’s a beautiful place.” Talking with Christian Kiefer.
The Pathos of Reno
Joyless
Poor Emily Schultz. Her debut novel is getting trashed on Amazon — not because it’s a bad novel, but because a number of reviewers have confused her with Stephen King. (It doesn’t help that her magazine also shares a name with King’s novel.)
The Tiny Gatsby
Here’s a question for a lexicographer: is a book still called a book if it’s too small for a person to read? Moreover, what do you call people who collect miniature books as a hobby?
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An American Point of View
The international popularity and utility of English doesn’t show any signs of slowing, but what will the language look like after a few generations of increasing usage? The Economist gives a brief answer, but it doesn’t address the ways English is or will be used by different people to tell their stories. Damian Fowler addresses this when he asks, “[W]hat does it mean to have an American point of view,” or to call a book American in tone, as opposed to British or just English-language? In a blog post for The Paris Review, Fowler offers an answer: American novels are characterized by “a spare, sure sense of narrative, reflected in a colloquial voice, free of affectation.”
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First Draft of Infinite Jest
“Behind every great work, there is an ink-stained piece of notebook paper.” Here is the first page of a handwritten draft of Infinite Jest.
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