It’s a catchy idea: two rich Philadelphians, shut out of their family fortune, decide to gain new wealth by proving the existence of the Loch Ness monster. It’s the plot of At the Water’s Edge, the new book by Water for Elephants author Sara Gruen. Robert J. Wiersema reviewed the book in The Globe and Mail. Sample quote: “In most families, fleeing to Scotland to prove the existence of the Loch Ness monster would seem an odd thing to do in order to expiate a social faux pas and redeem the family honour, but the Hydes aren’t most families.”
April Bernard is not a fan of Writers’ Houses because she does not believe the “private life, even of the dead, is ours to plunder.” Earlier this year, our own Luke Epplin also noted some of the limitations of Writers’ Houses.
For San Francisco readers: There’s a new show of huge, surreal paper mache animal sculptures up at The Mission Cultural Center for Latino Arts (December 4-17th). These paper beasts, featured in the San Francisco Symphony’s performance of Camille Saint-Saens “Carnival of the Animals” and created by local artist Colette Crutcher and her students, will be auctioned off to benefit the MCCLA at a party open to the public on December 17th.
Feel like something’s off with a person you follow on Twitter? They could be time travelers from the future. In The Atlantic, Robinson Meyer writes about a new study, conducted by two physicists, that sought to find social media users with an uncanny knowledge of future events. “It’s not crazy, and yet it feels crazy when you think about it,” says The Hidden Reality author and Columbia professor Brian Greene. You could also take a look at our own journey to the early days of literary Twitter.
In Florida, legislators are wondering whether or not they should raise tuition costs for students studying the humanities, or really anything other than STEM fields. Likewise, James Dyson (yes, the vacuum guy) bemoans Britain’s abundance of “students choosing to read humanities at university.” As a rejoinder, one New Statesman blogger notes that the study of humanities does not inhibit technological innovation, and that as a bonus, “we gain from having people who reshape our cultural landscape and put things in new contexts.”
Need more than just a hashtag to get ready for the new season of True Detective? Tom Nolan is here to help. At Salon, Scott Timberg interviews the biographer of Ross Macdonald, a crime fiction writer whose mysteries tackled the underbelly of California. You might want to read the new collection of Ross’s novels, or else our list of crime novels where women are the detectives.