It’s a catchy idea: two rich Philadelphians, shut out of their family fortune, decide to gain new wealth by proving the existence of the Loch Ness monster. It’s the plot of At the Water’s Edge, the new book by Water for Elephants author Sara Gruen. Robert J. Wiersema reviewed the book in The Globe and Mail. Sample quote: “In most families, fleeing to Scotland to prove the existence of the Loch Ness monster would seem an odd thing to do in order to expiate a social faux pas and redeem the family honour, but the Hydes aren’t most families.”
At Flavorwire Jonathan Sturgeon considers what we’ve learned from Dubliners in the hundred years since it was first published and argues that “when it comes to realism, Dubliners, more than even Chekhov’s short fiction, is the model we routinely fail to live up to.” Sturgeon’s reflections on Joyce‘s free indirect discourse pair well with Jonathan Russell Clark‘s Millions essay on close writing, and his essay isn’t completely without hope: he concludes with a few books that, “on the surface, look nothing like Dubliners, but, in spirit… show that Joyce’s book still lives 100 years on.”
The Paris Review profiles the Grolier Poetry Book Shop, located in Cambridge, MA and one of two all-poetry book stores in the nation. And speaking of bookstores – if you’re visiting Boston for AWP 2013, Ploughshares has got a whole list of literary landmarks for you to explore.
Over at Full Stop, Scott Cheshire mulls the concept of Armageddon, or, as he calls it, “The Other American Dream.” Meanwhile, a French photography team is traveling the world to take pictures of cities “without signs of life.” Perhaps the fascination isn’t so American after all.
Yamaguchi-gumi Shinpo, the largest Yakuza faction, has decided to start its own magazine focused on “haiku poetry, articles on the innocent pursuit of angling and entreaties to its readers to perform good works” among other things. Related: recently photographer Christopher Jue journeyed with People Who Eat Darkness author Richard Lloyd Parry into the four-story headquarters of the Kudō-kai.