It’s a catchy idea: two rich Philadelphians, shut out of their family fortune, decide to gain new wealth by proving the existence of the Loch Ness monster. It’s the plot of At the Water’s Edge, the new book by Water for Elephants author Sara Gruen. Robert J. Wiersema reviewed the book in The Globe and Mail. Sample quote: “In most families, fleeing to Scotland to prove the existence of the Loch Ness monster would seem an odd thing to do in order to expiate a social faux pas and redeem the family honour, but the Hydes aren’t most families.”
"Palestinian literature is a literature of exile, a quest for identity in a hostile world, a writing of fractured lives and displaced hopes, a record of a human tragedy." In the most recent issue of Asymptote Journal, Fakhri Saleh looks at Palestinian writing since 1948. Pair with Words Without Borders’s special Palestine issue, selected and introduced by Nathalie Handal.
You have the entire month of August to enter Black Warrior Review’s ninth-annual poetry, fiction, and nonfiction contest. All entrants will receive a one year subscription to the magazine, and the winners of each genre will receive a $1,000 prize as well as publication in the Spring/Summer 2014 issue.
"Charles Dickens had orphanages and workhouses, the Brontë sisters had the wild moors, and modern writers have high school." So begins L.A. Times television critic Mary McNamara's take on The Vampire Diaries, the CW's answer to Twilight (premiering tonight at 8). The show is loosely based on L.J. Smith's books of the same name and McNamara gives it a qualified thumbs up. She concludes that this latest addition to the vampire canon is "pure froth, but it is very welcome froth, especially in a genre that seems sometimes in danger of taking itself a little too seriously."
“'When I finish reading one of her stories, I always feel understood and somehow forgiven for being human,' Mr. George said. 'It may simply come down to wisdom. Like the greats, Edith has it.'" Steve Almond gives an overview of Edith Pearlman's writing and publication history for The New York Times Book Review in the wake of the release of her latest collection, Honeydew, which Josh Cook recently reviewed for The Millions.
A few weeks back, Indiana Review editor Joe Hiland shared his list of stories he most often rejects. Now, Michael Mlekoday, the publication’s poetry editor, does likewise with his list of “Five Marks of Oft-Rejected Poems.” Meanwhile, Missouri Review editor Michael Nye has some qualms about this type of post.
Over at Threepenny Review, Jess Row expounds on "blandness" in the work of Haruki Murakami, and particularly in his 2.8 lb. tome 1Q84—a book tabbed by Charles Baxter in last year’s Year in Reading as the best he’d read all year. Row contemplates the way Murakami’s characters and sentences “almost never lose this placid, observant neutrality,” or “continuous monotone.”