Recommended reading, though perhaps not viewing: “On the strange, true tale of the naked bookseller.”
Good news for people who like good things: The Missouri Review has unveiled a Little Black Book of Fiction app. The 99¢ app is a collection of 11 stories from the likes of William Gay (a Post-40 Bloomer), Robert Olen Butler and Nanci Kincaid – and each story comes with its own audio introduction, author information, and opening photograph.
Despite recently winning the Booker Prize, Howard Jacobson writes a list of his favorite novels about failure for the WSJ: “This category is, of necessity, a crowded one. Novelists are drawn to failure. Those who prosper, or expect to prosper, in the world as it is have no need to re-imagine it.”
It appears that our own Sonya Chung’s consideration of underappreciated Russian writer Sergei Dovlatov played a role in getting one of his stories published in a forthcoming issue of PEN America.
Over at Full Stop, Sean Minogue argues that social media can have a positive influence on a writer’s creative development. He mentions Twitter extraordinaire Teju Cole, who thinks his involvement in online discussions “comes from the non-American part of me which is saying that novelists in every other country, with the exception of the American or the Anglo-American sphere, actually consider it part of their work to engage.” Pair with our piece on the best of literary Twitter.
Charlaine Harris, author of the Sookie Stackhouse/Southern Vampire Mysteries (recently reincarnated as HBO’s True Blood), talks with Barbara Peters of the Poisoned Pen Press and Bookstore for her interview series “The Criminal Calendar.” See the first of six YouTube installments here. Harris, like her most famous heroine, offers a mix of canny intuition and folksy charm. Asked about the bisexuality of one very old vampire in “the Sookie-verse” she answers Peters, “I figure if you live that long, you might as well diversify. Wouldn’t you get bored, you would think–you’d be willing to try anything if you live that long.”
Nollywood is the name given to Nigeria’s $500 million movie business. For about the same amount of money that was spent on the promotion and production of James Cameron’s Avatar, Nollywood is able to churn out a thousand films each year, trailing only Bollywood and Hollywood in terms of revenue.