David Gessner thinks Wallace Stegner and Edward Abbey are more relevant than they’ve ever been. Why? Their stories about the West anticipated the California drought. At Salon, Gessner explains why, among other things, Stegner spent much of his life debunking Western individualism.
Taming the Land
Bourdain’s “Gourmet Slaughterfest” Graphic Novel
Guardian reports that Anthony Bourdain is writing a new “gourmet slaughterfest” graphic novel about “ultraviolent food nerds,” intended to be “a cross between Eat Drink Man Woman and A Fistful of Dollars.”
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For Her
Leave it to Roxane Gay to come up with a novel format for an essay on the feminist novel. In the new issue of Dissent, she presents eleven theses on the topic, including references to Toni Morrison’s Beloved, Erica Jong’s Fear of Flying, and Jeanette Winterson’s Oranges Are Not the Only Fruit. Sample quote: “Not every novel that concerns itself with the lives of women is a feminist novel. Fifty Shades of Grey is not a feminist novel.” You could also read our own Edan Lepucki on the problem with feminist anthems.
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Olga Slavnikova on Reading Roulette
The Morning News continues its ongoing Reading Roulette series by sharing “A Light Head” by Olga Slavnikova. While the author is a contender for the 2013 Russian Booker Prize, TMN correspondent Elizabeth Kiem doesn’t need to wait to award “best line” to this little ditty: “The Russian dilemma posed by Dostoyevsky—‘Shall I let the world go to hell or skip my tea?’—has been resolved in favor of the tea.”
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Marie-Helene Bertino on Manipulating Time in Fiction
In Bertino's latest novel, a bride-to-be struggles with her past, her future, and her dead grandma, who's back as a bird.
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Neurocriticism
At N+1, Marco Roth autopsies “the neuronovel” – think Motherless Brooklyn (Tourette’s), The Curious Incident of the Dog in the Night-Time (autism), Lowboy (paranoid schizophrenia), The Echo Maker (Capgras syndrome), and Atmospheric Disturbances (Capgras again?) – and finds “sign[s] of the novel’s diminishing purview.”
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“It’s why the gift horse is a gift”
Recommended Reading: “The Tiny Men in the Horse’s Mouth” by Matthew Olzmann for New England Review.
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“Last night I dreamt I went to Manderley again.”
Continuing Tin House’s great “The Art of The Sentence” series, Vishwas Gaitonde dives deep into the opening line from Daphne du Maurier’s Rebecca. (Come on, we all know the one.) Be sure to catch Tin House‘s previous TAoTS series installments as well.