In his new book, one of three coming out now or soon, Australian poet Clive James assembles his decades of knowledge into a series of mini-essays, many of which originally appeared in Poetry magazine. At Slate, Katy Waldman reads the collection, explaining why it gave her the urge to quote James ad infinitum. You could also read our own Garth Risk Hallberg on the poet’s book Cultural Amnesia.
Studies of Intensity
“No writer needs to be all the writers all the time”
Zadie Smith in conversation with Édouard Louis for the Document Journal. “Listening to the novelists Édouard Louis and Zadie Smith in conversation inspires a kind of hushed glee, a bliss familiar to eavesdroppers who encounter sublime discourse. ” How can you resist?
Two Tickets to the Gun Show. Literally.
This Bright River author Patrick Somerville visited the Lakemoor Gun Show with our own Emily St. John Mandel, and then wrote about the experience for GQ.
Zen and the Art of Headlines
This handy guide from The Week shows how to identify which website a headline comes from, from Gawker to The New York Times. Pair with Janet Potter’s Millions piece on rewriting book titles to get more clicks.
The Baroque Era
“These poets foreground elaborate and mythically transgressive evocations of eros in which stylistic excesses counter the violent excesses of homophobia and racial marginalization. The queer Baroque is, fundamentally, a poetry of radical ambivalence.” On Prelude to Bruise by Saeed Jones.
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Poetry in a Box
Recommended Reading: On poetry about poem-making and the poetics of assemblage.
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