This morning, the longlist for the 2016 International Dublin Literary Award came out, and the nominees include some familiar names. Year in Reading alumnus Anthony Doerr’s All the Light We Cannot See (which won this year’s Pulitzer, whom you can learn more about in this essay by our own Michael Bourne) is on there, as is Year in Reading alumnus Michael Cunningham’s The Snow Queen, Year in Reading alumna Roxane Gay’s An Untamed State (reviewed here by Aboubacar Ndiaye), and A Brief History of Seven Killings by Marlon James (winner of this year’s Booker Prize).
Among the better Tumblr memes is Read to Me Tuesday, which is exactly what it sounds like: people choose a passage from a book, call in and read the passage over the phone. The resulting posts are compiled under the hashtag #RTMT and often re-blogged by rtmt.tumblr.com. As we see increased interest in social reading experiments like bookglutton.com, RTMT shows how the web might make social connection through reading aloud a possibility for the first time since, well, story time. Plus it’s really, really fun.
“I am nostalgic for letters. There’s a craft that’s been lost in expressing some kind of desire or passion or bodily experience for someone else.” From James Joyce to Frida Kahlo, The Guardian collects bits of great artists’ erotic missives to one another. And speaking of literary love letters, how about Nicholson Baker‘s Vox [ed. note: it makes a great Valentine’s Day gift]?
At Guernica, Kirsten O’Regan delves into labiaplasty, a “relatively unregulated, frequently botched” and scarily popular new surgery. The oddest (and saddest) thing she learns about the procedure? Apparently a lot of young mothers urge their daughters to do it.
“Save everything, she said. Everything. When your archive gets bought, they pay by the cubic foot.” Sarah Manguso in The New York Times about drafts in an era of digital writing. And while we’re on the subject , here’s what Ben Fountain, Emily St. John Mandel, Emma Straub and a passel of other writers have to say about writing that elusive first draft.