Coming soon: short films for each of Shakespeare‘s 154 sonnets, all set in New York City.
A couple of weeks ago, I pointed readers to the trailer for Olive Kitteridge, the new HBO show based on the Pulitzer-winning novel by Year in Reading alum Elizabeth Strout. In this week’s New Yorker, Emily Nussbaum sizes up the new series, describing it as a case study in bringing a work of fiction to the screen. “In the course of four hours, the miniseries casts a West Coast spell on scenes of Yankee repression,” she writes.
In “kids these days” news, any book now counts as a “novel.” There are fiction novels and nonfiction novels, recipe novels and poetry novels and picture novels and, less facetiously, a new novel told in letters of recommendation, Julie Schumacher’s Dear Committee Members. And now that you’ve finished my three-sentence nonfiction digital novel, here’s the world’s longest novel, which clocks in at 3 million pages that I confess I have not read.
George Dobbs explores the history of some common cliches for The Airship and makes an elegant argument for being aware of overused phrasing: “The worst fiction might never go beyond widely used tropes, but the best fiction starts with an awareness of them.” We agree, and also hope never to read “It was a dark and stormy night…” again.
Christopher R. Weingarten’s long Spin essay about Lana Del Rey, Cults, and “a multitude of mostly female-led indie heartachers” is one of the best things you’ll read this week. It’s also, as a matter of fact, one of the best multimedia integrations of Spotify I’ve seen in a while. More of this, please.
Two full-length trailers for much-anticipated films dropped this week. First up is Pixar’s Brave, which will hit theaters this June. Meanwhile, on the other end of the spectrum, fans get to see Robert Pattinson star as Eric Parker in David Cronenberg’s adaptation of Don DeLillo’s Cosmopolis.