“Russian humor is to ordinary humor what backwoods fundamentalist poisonous snake handling is to a petting zoo. Russian humor is slapstick, only you actually die.” Ian Frazier writes about the strange humor of Daniil Kharms for the New York Review of Books.
Russian Slapstick
A Classic Drawing
“There is always something lost, or exchanged, when the imagined world evoked by the written word, unique for every reader, is replaced by a provided set of visual references. In this particular case, the artist is faced with translating the unbelievable, even the metaphysical, into visual imagery, and within a relatively constrained form.” Jenna Brager on Hope Larson’s graphic novel adaptation of A Wrinkle in Time.
Bullish on Bookstagram
“It’s hard to say what truly moves the needle. Bookstagrammers help in that they get images of your book cover out there (and they make them look so pretty!), and readers need to see a book a couple of times, in a couple of different places, before they are inclined to buy it.” Author Brenda Janowitz in Forbes about the surprising success of Instagram as a book marketing platform. See also Davey Davis from our own pages on the Insta-pornification of food.
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Pink Matter
No doubt inspired by the musical stylings of Ricky Rozay (aka Rick Ross), Peter Foges set out to investigate the origins and present state of pink champagne.
Version Control
“Arguably versioning is a practice reserved for when a literary translator isn’t available or perhaps doesn’t actually exist who can bridge both languages. At worst, it has and can be done by colonisers or writers from major languages mangling minor literatures for sport and without care from a position of imbedded prejudice, power and authority.” Jen Calleja on the difference between translating and versioning of an original text, over at The Quietus.
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Australian Best
Lit-mag Meanjin Quarterly is taking a cue from The Millions and kicking off a new series, The Best Australian Fiction of the 21st Century (so far).
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Ecstasy/Despair
Shouldn’t you be busy writing? Here’s an illustrated guide to some of the common anxieties many of us feel when we’re not writing.
Make Margaret Atwood Fiction Again
“I haven’t met Drake, but I have of course met people who have met Drake. But you have to realize how o-l-d I am. I’m not likely to go to the same parties. Or many parties at all, to be frank.” Junot Diaz interviews Margaret Atwood for The Boston Review. We obviously recommend you read our respective interviews with them both, too.
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