Looking for a New England writer’s retreat? Perhaps you could stay in T. S. Eliot‘s childhood summer home.
Retreat with Eliot
“The quality of detaching itself from its period”
“For a man who is making his living as a critic to write about Scott Fitzgerald without mentioning The Great Gatsby just means that he doesn’t know his business. Many people consider The Great Gatsby one of the few classic American novels. I do myself. Obviously such a judgment is debatable.” The New Republic digs up a tribute by John Dos Passos.
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Explore the Real NW
Explore four of the spots mentioned in Zadie Smith’s NW courtesy of this interactive Penguin Press feature. Listen to Zadie’s own voice and read some of her prose as you explore the streets and buildings. You can also read the book’s first lines over here.
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Around the World with Books
Bibliophiles will rejoice at The New York Times‘s current travel section, which is entirely book-dedicated. The staff lead with “Temples for the Literary Pilgrim,” which profiles jaw-dropping bookstores, cafés, and restaurants around the world; Ann Patchett provides a U.S. based bookstore pilgrimage; seven writers, including Geraldine Brooks and Ta-Nehisi Coates, reflect on their personal favorites; and Jennifer Moses writes about traveling as a bookworm. Might we also recommend this literary travelogue by Kate McCahill from our archives?
A Curious Ambivalence
Colin Dickey for Hazlitt has written a fascinating essay exploring the myth and superstition behind the ritual veiling of mirrors while in mourning. Did our own Sonya Chung cover her mirror while she mourned the passing of Mad Men?
Regarding the Pain of Others
Can confessional writing be literary? Kelly Sundberg writes, “When I sit down to write literary writing about my trauma, I am a writer first, and a trauma survivor second, but I am not ever not a trauma survivor, and as such, I am often interested in examining the roots and effects of my own trauma.”
Anxiety or Discipline?
Recommended Viewing: This installment of The Paris Review’s “My First Time” series, in which poet Ben Lerner remembers “working under the sign of crisis” and attempting to find a publisher for his first book, The Lichtenberg Figures. A couple of Lerner-related pieces from The Millions: a review of his newest novel, 10:04, and a Year in Reading from back in 2014.
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The Good Stuff
“I always think, ‘What if I can’t?’ Then I always think, ‘Oh shit, don’t think that.’ Because thinking about it can make it happen. Not like it’s happened that often. But I get scared about it. We all do. Anybody that tells you they don’t they’re full of it. They’re always scared it might happen.” There’s a lot of really bad writing about sex. This is a piece about some of the good stuff.
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