In a piece for the New Yorker, Adam Gopnik writes about a new life of C. K. Scott Moncrieff, the first translator of Proust into English, and about the strange success and beauty his imperfect translation of Remembrance of Things Past achieved. The essay as a whole pairs well with both our own Bill Morris‘s essay against literary biography and Barclay Bram Shoemaker‘s Millions review of Mo Yan‘s Frog and “the trouble with translation.”
To celebrate the 400th anniversary of William Shakespeare's death in 2016, he's getting a makeover. Jeanette Winterson is writing a cover of The Winter's Tale, and Anne Tyler will be revamping The Taming of the Shrew for a 21st century audience. While you wait, watch Joss Whedon's update of Much Ado About Nothing.
A few weeks ago, our own Nick Moran wrote about the closing of Maxwell’s, a Hoboken landmark that doubles as a restaurant and concert space. Now, at The Paris Review Daily, Josh Lieberman goes to the venue’s last Feelies concert, pointing out that “in no way is Maxwell’s an ideal place to see a show, except that it is.”
2011 is the year of television's oral history. On the heels of Those Guys Have All the Fun: Inside the World of ESPN, published last May and reviewed by n+1 here, you can now check out I Want My MTV: The Uncensored Story of the Music Video Revolution. You can whet your appetite with an excerpt here. If television's not your thing, you can also check out New York Magazine's oral history of the Upright Citizens Brigade, and of the founding of Ms. magazine.
Some writers find their voices by heading off to Europe. Others (like Thoreau in Walden) head off to the woods instead. At The Rumpus, David Biespiel writes about the year he moved to Vermont, and what it meant to see himself as "leaning into" his youth. Pair with our own Anne K. Yoder on Ken Kesey and the Oregon coast.