Recommended reading: Nick Laird writes about Claudia Rankine‘s National Book Critics Circle Award-winning Citizen: An American Lyric and “A New Way of Writing About Race” for the New York Review of Books.
On Race and Rankine
This Is Just to Say [VARIABLE VARIABLE]
I’ve noted before how William Carlos Williams’s famous poem, “This Is Just to Say,” has become an internet meme, but I haven’t noted the ongoing and delightfully random “Just to Say” Twitter bot. And also, I haven’t before linked to Tammy Ho Lai-Ming’s riff on Williams’s rhythms.
Discovering Ice
Recommended Reading: On the secret history of Gabriel Garcia Marquez’s One Hundred Years of Solitude.
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On Hikikomoris, Etc.
Recommended Reading: Larissa Pham on Milena Michiko Flašar’s I Called Him Necktie.
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A Bookish Jurassic Park
Recommended reading: before you head to the theaters for the latest Jurassic Park film, make sure you know the series’s bookish roots.
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Bytegeist
This week Margaret Atwood tweeted a photo of her and Alice Munro drinking champagne in a “secret lair.” There’s no denying it — technology has changed the way we tell stories. Atwood and 16 other writers, from Victor LaValle to Lee Child, discussed how technology influences their work in The New York Times. “There’s nothing worse for plots than cellphones. Once your characters have one, there’s no reason for them to get lost or stranded,” Rainbow Rowell said.
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The Peculiar Art of Rare Books Catalogues
“Our catalogues cost £5,000 to print and distribute (in envelopes! with stamps!) to the 800 people on my mailing list, 790 of whom will not order from it.” Rick Gekoski at Guardian looks at the peculiar art (and commerce) of rare books catalogues.
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Book Drop
Doubleday pulled a Beyonce and published Colson Whitehead’s latest book, The Underground Railroad, a month early. Oprah chose Whitehead’s book for her book club, and Doubleday “secretly started shipping out 200,000 copies in anticipation of the announcement.” You can also read a review from Michiko Kakutani at the New York Times.
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