Few things are more individual than your feelings about e-books. Dustin Illingworth can’t stand them — as he puts it, “books are meant to be handled and smelled.” At Full-Stop, he writes about what this preference reveals about himself. You could also read our tribute to e-book pioneer Michael Hart.
Out this week: A House Without Windows by Nadia Hashimi; Divorce Is in the Air by Gonzalo Torné; The Gentleman by Forrest Leo; Addlands by Tom Bullough; and Liberty Street by Dianne Warren. For more on these and other new titles, go read our Great Second-Half Book Preview.
“If you read through all the citations, you’ll start to detect certain patterns. Any aspirant Nobel Prize–winner should take note—these may hold the key to victory.” The Paris Review has read through all of the Nobel Prize-winner citations and came to a couple of conclusions, such as “you should be great… but it also helps if you’re epic. Oh, and fresh!” Pair their piece with our own overview of newest laureate Patrick Modiano’s work, and The New Yorker‘s look into the translation of Nobel Prize-winning authors.
“Rather than showing one isolated capsule, the new hall would encompass nature and the human world…. The central theme would not be a certain animal, or even the landscape portrayed. Not one story but the fact that the stories are there. Albert E. Parr, strongly influenced by the burgeoning field of ecology, believed that the interconnectedness between disciplines was the story of the world.” Jaime Green writes for Longreads about the narratives behind the exhibits at the American Museum of Natural History. Also check out our own Bill Morris’s piece on the new Whitney Museum.