Try to define the word “poetry” and you’ll quickly find yourself in a maze of contradictions. It refers, most obviously, to printed verse, but it can also refer to especially lyrical prose, among other things. At The Paris Review Daily, Damian Searls uses etymology to get some answers. Related: Kate Angus on loving poetry but not poetry books.
"Claiming that feminism killed home cooking is not just shaming, it’s wildly inaccurate from a historical standpoint...As should be obvious to anyone who’s peeked at a cookbook from the late 1940s or early 1950s that promotes ingredients like sliced hot dogs and canned tomato soup, we’ve been eating processed crap since long before feminism. Yet the idea of the feminist abandoning her children to TV dinners while she rushes off to a consciousness-raising group is unshakable." The perils of foodie nostalgia.
Hold on to your starched collars: In breaking Shakespeare news, Oxford University Press announced that in its new edition of the complete works of William Shakespeare, Christopher Marlowe will receive credit as co-author on the Henriad plays. And if you're really tired of Will getting all the credit, you'll enjoy our recent piece about the surge of interest in Ben Jonson, who's basically the Third Tenor to their more famous voices.
Simon & Schuster is planning to put out full-length audio editions of Ernest Hemingway's novels. At the blog Okay Terrific, Steve figured out that Islands in the Stream will be read by Tommy Lee Jones and For Whom the Bell Tolls by Campbell Scott (and Steve is launching a campaign to get his own narrating gig.)Remember my post about book news RSS feeds? I've added the USA Today book news feed to the list. I use the book news feeds to generate the headlines that appear to the right. Any feeds that I'm missing? Let me know in the comments.Recently discovered The Publishing Contrarian via Books Inq. It's full of all sorts of insidery book industry commentary.
The Naipaul Question, as Morgan Meis calls it, is simple: is V.S. Naipaul too offensive to be taken seriously? His recent biography includes scenes of abuse and moments of straightforward racism. But Meis thinks the issue is more complicated than whether Naipaul is a monster -- the author is, in his phrasing, too “protean” to be pinned down.