“I’ve always been interested in the internal shape-changes of the poem. In my student days, it was common to assume that the poem makes a statement — that it’s protesting war, or is grieving a death. My teachers, on the whole, didn’t see a poem as an evolving thing that might be saying something completely new at the end because it had changed its mind from whatever it had proposed at the beginning.” An interview with Harvard’s Helen Vendler about the structure of poetry, the benefits of studying science and mathematics, and the “miraculous” voices of Shakespeare and Keats.
Let’s take a moment to be jealous of other countries, shall we? In Iceland, “one in ten [residents] will publish something in their lifetime.” Norway’s government “buys 1,000 copies of every book a Norwegian author publishes. It provides a $19,000 annual subsidy to every author.” In Argentina, “the city of Buenos Aires now gives pensions to published writers.”
A big haul of new books this week. At the top of the list is Chad Harbach’s much anticipated debut, The Art of Fielding. Also new this week: the new Christopher Hitchens collection Arguably, Lily Tuck’s I Married You for Happiness, Nuruddin Farah’s Crossbones, and Anna Solomon’s debut The Little Bride. Sebastian Barry’s Booker long-listed On Canaan’s Side is now available in the U.S. And Great House by Nicole Krauss is now out in paperback.
If you read Lydia Kiesling’s recent piece about Granta’s Young British Novelists and thought to yourself, “That John Freeman guy sounds like a grand ol’ chap, but I think I could do his job better,” then I have two things to say: 1) That’s kind of a rude thing to think to yourself. And 2) You’re in luck, I guess, because he’s in need of a replacement.
“Everywhere in the language of this collection is the deliberate and sustained glorification of the human. Long after his 11 months in what he calls the Lager (Auschwitz III), as a survivor, Primo Levi understands evil as not only banal but unworthy of our insight – even of our intelligence, for it reveals nothing interesting or compelling about itself.” Toni Morrison on The Complete Works of Primo Levi in The Guardian.