From Nebuchadnezzar to Hippocrates to the Victorian asylum: The Paris Review takes a look at mental illness and its treatments across the centuries.
“Madness and Meaning”
“It’s the people that keep you going back”
Here’s a wonderful way to spend 77 minutes: the NYPL posted the entire video of a conversation between Adrian Nicole LeBlanc and Behind the Beautiful Forevers author Katherine Boo.
Writing the Body
Recommended Reading: E.V. de Cleyre explores the presence of the body in Maggie Nelson’s Bluets, Lidia Yuknavitch’s The Chronology of Water, and Ta-Nehisi Coates’s Between the World and Me.
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Art Like Reading a Good Book
Erica Baum uses found language and blackboards as her canvases. “Looking closely at Baum’s work to intuit such realities is both challenging and rewarding like reading a good book.”
Metaphor and Memory, Fame and Folly
“’This splendid lady sandbagged me,’ Bloom said in a recent phone conversation, with the lofty, ungrudging admiration of an old general recalling an opposite number’s surprise attack at some long-ago battle. Flummoxed, he asked if they had not made an agreement. Ozick, Bloom recollects, said, ‘When you are dealing with the devil, you must be prepared to do anything!'” This New York Times Magazine profile of Cynthia Ozick makes it clear that, at 88, she shows no signs of slowing down.
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Byliner Goes Fiction
Byliner, which has made its name with a long-form nonfiction portal and long-form nonfiction ebook originals, is kicking off its Byliner Fiction imprint with Amy Tan’s Rules for Virgins
The Golden Age of Women Essayists
The essay is more popular than ever. At Salon, Michele Filgate talks to Leslie Jamison (author of The Empathy Exams, here’s our review) and Roxane Gay (author of the forthcoming Bad Feminist) about the power of the genre. Gay believes our interest in essays is because of a “cultural preoccupation with the exposure of the self.” They also discuss if we’re in a golden age of women essayists. “Sometimes when men write about private feeling, it’s seen as exploratory or daring, and when women write about private feeling it’s seen as limited or in the vein of a kind of circumscribed emotional writing,” Jamison says.
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