“Long before the term ‘graphic novel’ was coined to explain long-form comic strips, the artist Milt Gross was making precursors to the format,” and one of his lost works is finally being republished. The work, Milt Gross’ New York, was written for the World’s Fair in 1939 and “follows the adventures of the sausage-nosed, conniving, yet amiable con man Pop.”
Long Lost Gross
On Craft and Color
“[A]ny discussion of craft does not take place in a vacuum – that race is part of one’s lived experience and how we see ourselves and are seen does impact how and what we write.” Poet Neil Aiken puts together an absolutely indispensable list of texts – books, essays, lectures and beyond – on the craft of writing by writers of color. See also: our own Edan Lepucki‘s impromptu syllabus of craft readings.
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The Objections
Jonathan Franzen’s denunciation of e-books made headlines this week even though the sentiment is fairly common in “literary” circles. He can be forgiven, is what I’m saying. You denigrate the internet, however, and we’ve got some problems.
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Teaching STEM: Comics to Video Games
While the federal government is turning to video games to get kids into the math and sciences, back in the day comic books provided a near-direct link to young minds. But the medium wasn’t warmly received by the older generation (sound familiar?), and the company debated whether it was worth taking a hit with parents in order to appeal to their kids.
Two More for the Wish List
At BOMB, Danielle Dutton speaks with me about her new press Dorothy, a publishing project, which just published two books you’ll want to add to your wish list, Renee Gladman‘s Event Factory and Barbara Comyns‘ Who Was Changed and Who Was Dead.
At Least Not in the Central Time Zone, That Is.
First The Times-Picayune makes major cuts to its print output, and now The University of Missouri Press is shutting down after 54 years? This is not a great week for writing.
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Quite the Crossover Artist
Before Dr. Seuss penned the Lorax who spoke for the trees, he drew ads for Standard Oil, General Electric, and a host of other large corporations who spoke for a considerably different constituency. This great collection of advertising artwork from Theodore Seuss Geisel courtesy of the Mandeville Special Collections Library at the University of California, San Diego.