“Long before the term ‘graphic novel’ was coined to explain long-form comic strips, the artist Milt Gross was making precursors to the format,” and one of his lost works is finally being republished. The work, Milt Gross’ New York, was written for the World’s Fair in 1939 and “follows the adventures of the sausage-nosed, conniving, yet amiable con man Pop.”
The headliners this week are on the non-fiction side: Michael Pollan's Cooked and Let's Explore Diabetes with Owls by David Sedaris. Also new in non-fiction: Top of the Morning: Inside the Cutthroat World of Morning TV by the Times' Brian Stelter and Daily Rituals: How Artists Work by Mason Currey. In fiction: The Humanity Project by Jean Thompson, The Pink Hotel by Anna Stothard, Paris by Edward Rutherfurd, The Golem and the Jinni by Helene Wecker, and The Enchanted Life of Adam Hope by Rhonda Riley.
"One of the things I like about my job is that it draws on the entire person: not just your knowledge of grammar and punctuation and usage and foreign languages and literature but also your experience of travel, gardening, shipping, singing, plumbing, Catholicism, Midwesternism, mozzarella, the A train, New Jersey. And in turn it feeds you more experience. The popular image of the copy editor is of someone who favors rigid consistency. I don’t usually think of myself that way. But, when pressed, I do find I have strong views about commas." Mary Norris's "Confessions of a Comma Queen," from the New Yorker.
A manuscript by H.P. Lovecraft has recently been re-discovered among a collection of magic memorabilia. The book was “an investigation of superstition through the ages” commissioned by Harry Houdini. (Maybe all of this magic had something to do with its disappearing act?)