This week in Fascinating Archive Picks: The New Statesman dug up a Philip Larkin essay from 1962. Kicking off with an eccentric fantasy of hearing Shakespeare’s voice on vinyl, the essay delves into the importance attached to a poet’s voice, which impels Larkin to regret that early record producers didn’t think to record Thomas Hardy. Related: Leah Falk on reading poems aloud.
Iowa City, which is one of six UNESCO Cities of Literature, will honor renowned Ghanaian poet Kofi Awoonor with a memorial reading this Monday, October 14. Awoonor was among those killed in the attack on Westgate Mall in Nairobi, Kenya. The reading, which will be hosted by Awoonor’s nephew, Kwame Dawes, will take place on the University of Iowa campus, but it will also be open to anybody with an internet connection. People are invited to tune in to the event’s streaming webcast, and also to submit questions for Dawes online to the @UIIWP Twitter account by utilizing the #Awoonor hashtag.
A new study indicates that when it comes to National Endowment for the Arts grants, “there is not a disproportionate benefit to wealthy individuals.” In fact, the grants often benefit both the rich and poor alike.
“Macbeth has a twist that sets it apart from every other Shakespearean tragedy: Macbeth murders his voice. Mad with fear that Banquo’s heirs will seize the throne, Macbeth has Banquo killed. After that, our antihero is on his own. There is no one left to verify what is real and what is not … When Macbeth’s voice dies, everything else disappears, too. Macbeth is alone.” This excerpt from Jillian Keenan’s Sex With Shakespeare touches on everything from sexuality in Singapore to The O.C. fan-fiction.
“What makes a word ‘real’?” Should groan-inducing words like “adorkable” be counted? Anne Curzan, language historian, gives a Ted talk about the human element in dictionaries and the importance of slang.