This week in Fascinating Archive Picks: The New Statesman dug up a Philip Larkin essay from 1962. Kicking off with an eccentric fantasy of hearing Shakespeare’s voice on vinyl, the essay delves into the importance attached to a poet’s voice, which impels Larkin to regret that early record producers didn’t think to record Thomas Hardy. Related: Leah Falk on reading poems aloud.
Line by Line
“Female Essayists Seize the Day”
Though major publications like The New York Times are still questioning the importance and power of female essayists, Lucy Scholes argues that women are producing "some of the best writing today" and as proof lists several of the best recent essay collections by women in a piece for The Daily Beast. Incidentally, that list includes titles such as The Empathy Exams and The Opposite of Loneliness, both of which were reviewed for The Millions (here and here, respectively).
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Social Poetry
"Shelley once called poets the 'unacknowledged legislators of the world,'" but has the social role of poetry changed since Shelley's time?
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Hollywood McCarthy
Cormac McCarthy's written a spec script about "a respected lawyer who thinks he can dip a toe in to the drug business without getting sucked down." I think we all know where that's headed.
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The Birth of Memory
“So a single image can split open the hard seed of the past, and soon memory pours forth from every direction, sprouting its vines and flowers up around you till the old garden’s taken shape in all its fragrant glory.” Read an excerpt from Mary Karr’s The Art of Memoir at Longreads. Pair with Beth Kephart’s essay on how memoir can be a conversation between reader and writer.
Remembering the Words
“But every time I sat down in my desk, my heart raced. I forgot the words, my sentences sounded wordy, unnecessary, ugly.” Our own Bruna Dantas Lobato writes about anxiety and writer’s block for Ploughshares. Pair with her Staff Pick for The Millions, Juan Goytisolo’s Count Julian.
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Six Plots
We are all by now familiar with J.K. Rowling's elaborate, hand-drawn outlines for the Harry Potter series, but what if all plots could be simplified further? Down to, let's say, graphs? And not even an infinite number of graphs, but just six? The Paris Review considers the work of Matthew Jockers, a literature professor who studies “the relationship between sentiment and plot shape in fiction.”
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The Return of the (Poet) King
"Grim was the world and grey last night / The moon and stars were fled." It looks like even J.R.R. Tolkien might have been a an angsty teen. Two previously unseen poems by the legendary author have been found in a forgotten annual printed by a small primary school in Abingdon, Oxfordshire, in 1936. For another Tolkien-related blast from the past, here is W.H. Auden's review of The Return of the King, book three of the Lord of the Rings series.