This week in Fascinating Archive Picks: The New Statesman dug up a Philip Larkin essay from 1962. Kicking off with an eccentric fantasy of hearing Shakespeare’s voice on vinyl, the essay delves into the importance attached to a poet’s voice, which impels Larkin to regret that early record producers didn’t think to record Thomas Hardy. Related: Leah Falk on reading poems aloud.
Line by Line
Sporadic Moments of Contact
“I realize that, like most fantasies, reality is likely to be more complicated. For starters, literary communities—like most communities—have echelons. They have cliques; they have ghettos. You are the wrong age, work in the wrong genre, don’t know the right people, don’t teach at the same program … Anyone who thinks this isn’t true is someone squarely at the center of his or her chosen circle.” On peripherality and the uncertain nature of literary community.
Recommended Reading: Yoko Ogawa
Recommended Reading: Hotel Iris author Yoko Ogawa’s fiction in Guernica, “The Last Hour of the Bengal Tiger.”
Iceland is so hot right now
Some videos just make you want to write. Joe Capra‘s stunning timelapse video of Iceland’s “midnight sun” is one of them.
The Jeff Sharlet Memorial Award for Veterans
The Iowa Review will begin accepting submissions for the Jeff Sharlet Memorial Award for Veterans on April 15. The award honors creative writing by members of the U.S. military, and it’s open to both veterans as well as active duty personnel.
Titular Oddities
The shortlist for the Diagram Prize for the Oddest Book Title of 2010 has been announced. Among the hopefuls: Managing a Dental Practice: The Genghis Khan Way.
An Industry of Translation
“As for the charge that [Constance] Garnett writes in an outdated language, yes, here and there she uses words and phrases that no one uses today, but not many of them. We find the same sprinkling of outdated words and phrases in the novels of Trollope and Dickens and George Eliot. Should they, too, be rewritten for modern sensibilities? (Would u really want that?)” It’s shaping up to be a day of passionate defenses. Writing for the New York Review of Books, Janet Malcom urges readers to put down their Pevear/Volokhonsky translations of Russian classics and pick Constance Garnett’s back up again.
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