This week in Fascinating Archive Picks: The New Statesman dug up a Philip Larkin essay from 1962. Kicking off with an eccentric fantasy of hearing Shakespeare’s voice on vinyl, the essay delves into the importance attached to a poet’s voice, which impels Larkin to regret that early record producers didn’t think to record Thomas Hardy. Related: Leah Falk on reading poems aloud.
Line by Line
We Can’t All Be David Ebershoff
Recommended Reading: this essay by Sophia Knight on why she decided to quit her high-stakes job as a corporate editor in favor of a more modest writer’s income. If it’s publishing stories you’re after, here’s an old Millions favorite on whether or not to self-publish.
Claudia Rankine on Seeking Shared Realities
Claudia Rankine discusses how her newest book of essays, poems, and images, Just Us: An American Conversation, does not seek out easy answers.
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“Abroad, you could be anything”
Following the news that Beyoncé sampled a TED talk given by Year in Reading contributor Chimamanda Ngozie Adichie, Tin House dug up an interview with the author, who says that to this day, when she looks at the manuscript of Americanah, she feels “thrilled and amazed that [she] actually finished writing this.”
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Should’ve Read The Lease
“On the day I moved in, without giving it any thought, we started to refer to one storage space—there are three, two low-ceilinged ones on either side of the pitch-roofed room and one closet—as ‘the bad area.’ We had barely walked in, we (at least I) had forgotten the ghost, and here we were—‘the bad area.’” Amie Barrodale writes at The Paris Review Daily about life in a haunted apartment.
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Reflecting on Time During Quaratine Reading
Parul Sehgal examines time through the writing being produced during the pandemic, as well as the books she reads (and re-reads).
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