“In eleven years, I’ve written four books: three novels and one story collection. Only the story collection has ever seen the light of day; the first two novels, including my thesis, were never published and the third novel is making the rounds with agents right now. I’d like to believe I’ve learned a few things about how fiction works over this time, but perhaps it is more accurate to write that I have learned how my fiction does – or in many cases, does not – work.” Michael Nye, who’s written for us before, shares his “Lessons in Failure and Writing a Novel” on the Missouri Review blog.
"So why should the stories about us always be about the bad stuff? We deserve the romantic comedy, the late night barfly scene, the silly, light-hearted stuff of life reflected back at us." Camille Perri writes about the need for queer stories that are not rooted in sadness, trauma, or loss. Pair with: an essay on the commercial viability of LGTBQ literature.
Admit it, at one point or another you had a certain idea of what a writer's life looks like. What comes to mind when someone says "I'm a writer?" You may picture a struggling hipster artist who lives in a smal apartment with books everywhere and does nothing but read and write. Rosalie Knecht explores the fascinating idea that we associate certain specific images with the writer lifestyle based off an Anthropologie catalogue. Not convinced? Read it for yourself.
You’ve probably taken one of those quizzes that lets you find out the nature of your spirit animal. If so, you’ll enjoy this novel take on the form, which lets you see which animal from a famous poem you are. (For the record, this writer got Marianne Moore’s immortal fish.)