Hollywood Notebook by Wendy Ortiz is both a book of poetry and a memoir. Composed of several prose poems, the book depicts her evolution into a poet in her early thirties, following up where her previous memoir Excavation left off. At The Rumpus, Lesley Heiser analyses the book, with references to Phil Klay’s Redeployment and Hermione Lee’s biography of Virginia Woolf.
“Andre Dubus's literary superpower is to hit upon that one thing about a character that makes him him, or her her. And in so doing, with subtle, clever details—breadcrumbs on the trail to the nucleus of a character—he makes a reader want to keep going, because she knows exactly who these people are and has to know what happens to them.” On the Selected Stories of Andre Dubus.
Recommended Reading: These fifteen short texts in search of Hilla Becher, photographer and life/artistic partner of Bernd Becher: "One of the creations of her and Bernd’s artistic partnership was the seemingly perfect fusion of their visions. 'No, there is no division of labor,' they told an interviewer in 1989, in a conversation that pointedly doesn’t designate which of them is speaking. 'Outsiders cannot tell who has taken a particular photo and we also often forget ourselves. It simply is not important.'"
“She didn’t even want to be anything. She just wanted to be able to sit in a room and not feel tortured by it, which is sort of the human condition in general. Eileen isn’t dreaming of leaving home and making it in the big city on Broadway. She just wants to go and eat a banana, you know?” Ottessa Moshfegh on her new novel, Eileen, for The Rumpus.
"What does it even mean to say that I am experiencing my life in a jumpy, random sort of manner? Each instant of my experience is the experience, whatever its temporal relation to other experiences. So long as the memories are consistent, what meaning can be attached to the claim that my life happens in a jumbled sequence?" Physicist Paul Davies on why you can't remember your future.
A very thoughtful essay by Millions contributor Patrick at his home base, the Vromans bookstore blog. The nut of the piece is the idea that publishers can and should create stronger brand identities. Patrick points out some publishers that are already doing this, and there's some great stuff in the comments as well. The piece is a reaction to an equally interesting essay from if:book.