In the late seventies, when Susan Sontag was recovering from cancer, she hired an assistant to help her catch up on correspondence. Her editor recommended Sigrid Nunez, who began working for Sontag and ended up moving in with her. Nunez now recalls the experience with a mixture of gratitude and pain. In Dissent, a look at the economy of creative assistants.
Helping Hands
Make It New
“After ten years of painting, that is to say ten years of using an abstract, invented language, writing stories was the closest I had come to working in the realm of ‘realism.’ It was the most direct I had ever been in my art. Perhaps the most direct I had ever been. But, as I learned from the comments of my peers in workshop (‘this isn’t a story,’ ‘this is poetry,’ ‘what is this’), my writing was something other than what we referred to as literary realism. By which I mean, the writing many have come to believe most accurately represents life.” Susan Steinberg asks what happened to American experimental writing.
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A Conversation With Phillip Roth
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“Change the listeners”
“The problem with our national lit isn’t just that it’s often written from the same voice; it’s written often to the same listeners. But if you changed the listeners, you change the art.” Tobias Carroll interviews Kiese Laymon for Vol. 1 Brooklyn.
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Modern Primordial
Over at the Oyster Review Alexandra Edwards takes a literary tour of Florida, guided by “a few writers who chart Florida’s strange vacillation between the modern and the primordial,” including the likes of Elizabeth Bishop, Zora Neale Hurston and Ernest Hemingway. Our own Nick Moran has also profiled the literature of the Sunshine State, though his take was a little more “Floridapocalyptic.”
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A Literary Thriller
Ahead of next week’s publication of The Girl Who Kicked the Hornet’s Nest, the battle over Stieg Larsson’s lucrative literary estate. (Thanks, Craig)
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Don’t Be Her
Want to be a female travel writer? That’s great, says Jessa Crispin, just please don’t be Elizabeth Gilbert.
Saving Hughes’s House
Last-minute signal boost! You have a few more hours to donate to I, Too, Arts Collective‘s campaign to convert Langston Hughes‘s former home into a non-profit cultural center. See also: our own Emily Wilkinson’s review of his Tambourines to Glory.
Our Man in Croatia
Robert Perišic’s Our Man in Iraq made it onto the first installment of our Great 2013 Book Preview. A few weeks ago, Perišic sat down for an interview with John Feffer about ongoing changes in the author’s native Croatia, which recently acceded to the EU as its 28th member state.
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