“Thinking about her life is like sifting ashes. You believe you see the clear outline of a message, but it inevitably disintegrates before you can be sure of its sense. The mantle of a ‘rediscovered writer’ has never settled firmly around [her] shoulders; she has a way of resisting the platitudes of remembering.” Michelle Dean on the writer Nella Larsen.
“In times of tension it is particularly important to defend what is good, identify what would worsen the status quo, strive for balanced assessments, always hoping for the best, and try to identify and oppose any and all steps toward coercive authoritarianism.” Richard Falk narrates the coup in Turkey at Guernica.
Don’t expect to hear from Alan Moore anytime soon. He is withdrawing from public life after accusations that his comics include racist characters and too much sexual violence toward women according to an interview with Pádraig Ó Méalóid. He also took the opportunity to disparage society’s obsession with superheroes, which probably won’t win him any more fans. “To my mind, this embracing of what were unambiguously children’s characters at their mid-20th century inception seems to indicate a retreat from the admittedly overwhelming complexities of modern existence.”
Out this week: What Is Not Yours Is Not Yours by Helen Oyeyemi; Gone with the Mind by Mark Leyner; Innocents and Others by Dana Spiotta; High Dive by Jonathan Lee; Crazy Blood by T. Jefferson Parker; We Love You, Charlie Freeman by Kaitlyn Greenridge; Spill Simmer Falter Wither by Sara Baume; and The Best Place on Earth by Ayelet Tsabari. For more on these and other new titles, go read our Great 2016 Book Preview.
“Melville fell in love with the dashingly handsome older author the first time they met, and his forbidden passion drove him to create the symbol of impossible longing that now represents American literature to the rest of the world: the white whale.” On Herman Melville’s love for Nathaniel Hawthorne. Pair with a review of Hawthorne’s The Marble Faun.
“Most of all, they don’t tell you that fear, to reverse a phrase from C. S. Lewis, will feel so like grief, and so you begin to mourn what you have not yet lost, because mourning prematurely is the only way to protect yourself from hope.” For Catapult, Laura Turner writes about her trio of miscarriages and the hope she lost (and found) along the way. (Turner is a 2017 Year in Reading alum).