Recommended Reading: Tyler Malone’s interview with Tom Muir, the site manager of the Thomas Wolfe memorial.
“I say peel back the immediate surface layer and let’s see what’s actually underneath, if it’s possible to find that out. As a child, of course, I grew up looking under dead logs to see if there might be a newt. Most of the time there wasn’t a newt. Sometimes there was.” Margaret Atwood talks newts and skepticism in a new interview over at Hazlitt. Atwood’s newest, The Heart Goes Last, is out now.
“Save everything, she said. Everything. When your archive gets bought, they pay by the cubic foot.” Sarah Manguso in The New York Times about drafts in an era of digital writing. And while we’re on the subject , here’s what Ben Fountain, Emily St. John Mandel, Emma Straub and a passel of other writers have to say about writing that elusive first draft.
We’ve written before about various rare recordings of authors reading that occasionally surface on the internet (a sample here) but today we add a new author: James Joyce. Open Culture has posted two recordings of the author reading from Ulysses and Finnegans Wake, and while the audio quality is exactly what you would expect for recordings made in the 1920s, we still recommend listening.
“Being a judge for the Man Booker prize has at times felt like being part of a team of archaeologists excavating some vast buried city. Once the dust has settled – after nine months of reading – you stand back to survey your labours and realise all that’s left is a small pile of gleaming fragments. I hadn’t expected the process to be quite so emotionally exhausting. Nor had I thought it would be quite so exhilarating.” In case you’re curious, a Man Booker Prize arbiter offers up his reflections on the judging process. See also: the shortlist itself, which has surprised many readers!