Recommended Reading: Tyler Malone’s interview with Tom Muir, the site manager of the Thomas Wolfe memorial.
Going Home
The Widening Spell
“Ah, I think, a lizard-poet. This particular category was one I had concocted years before to describe those poets who were too Olympian to mingle with the rest of us, who stood to the side, detached, having feelings.” Remembering Larry Levis, whose book of last poems, The Darkening Trapeze, was released this past week.
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Oh, Gross
Over at The Paris Review, Hannah Tennant-Moore defends the merits of disturbing literature. We are fascinated with the disturbing, because, as Tennant-Moore asserts, “wonder, disgust: both feelings are true.” Here’s a bonus piece on A.M. Homes‘ darkly comic May We Be Forgiven and on comforting the disturbed — or is it disturbing the comforted?
“Only two people?”
In 1862, Fyodor Dostoevsky met Charles Dickens… Or did he? In a thoroughly researched piece for the Times Literary Supplement, Eric Naiman tells the thrilling story of how one – or two? or several? – hoaxers managed to dupe biographers, New York Times reviewers, London Review of Books editors as well as readers of numerous scholarly publications. Long story short: be wary of ostentatious “nipple” references.
On bad taste
In the world of fine art, is there such a thing as bad taste anymore? Based on the recent Swedish MOMA cake controversy, I’d say, um, heck yes.
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Another Southern Girl
Is it another Beyoncé/Lemonade thinkpiece? Yes. Is it also more than that and worth your time to read? Yes. Terryn Hall at The Rumpus on Beyoncé, Erykah Badu, and being a black woman in the South: “Although Beyoncé is not ‘literary’ in a traditional sense, she’s using her power to usher in new black poetic (Warsan Shire) musical (Ibeyi, Chloe and Halley Bailey) and modeling (Jourdan Dunn, Zendaya) talent in a manner similar to that of the literary patrons of yesteryear.”
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On Doormats and Shoes
At Page-Turner, our own Mark O’Connell notes “a thrilling obscenity” in the works of Gonçalo M. Tavares, a Portuguese writer whose recent novel, Jerusalem, depicts a character with schizophrenia. A lesser-known symptom of the illness, apparently, is a tendency to treat inanimate objects like conscious (and social) beings. (We wrote about Tavares back in March.)
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Act 266, Scene 6
How do you turn a 900-page novel into a play? You make it five hours long, that’s how. Roberto Bolaño’s classic 2666 is headed for the stage.
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