“If you can get some brilliant artists to make a musical about your childhood, I highly recommend it. It’s very cathartic.” Recent MacArthur fellow Alison Bechdel‘s hugely successful graphic memoir, Fun Home, has been adapted into a Broadway musical, and now she’s written a coda to the book that looks at what the musical has meant to her and what it could have meant to her parents. Pair with our interview with Bechdel here.
Fun Home Coda
Kafka Who?
When you think “Franz Kafka,” it typically isn’t his sunny disposition that comes to mind. According to Reiner Stach, this new collection of ephemera, however, seeks to challenge the tired, old conception of Kafka-as-tortured neurotic. Here’s a Millions review of Stach’s twin biographies of Kafka, himself.
No Word on What He Thought of Richard Simmons
In a review of My 1980s & Other Essays, Adam Kirsch reveals that Wayne Koestenbaum once compared a verse from a Robert Lowell poem to Buns of Steel. (Yes, that Buns of Steel.)
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Nice Nonfiction
We’ve already decided that it’s okay for fictional characters to be unlikable, but what about nonfiction writers? At the VQR blog, Jennifer Niesslein interviews essayists on whether their success is based on how amiable they are. “I think it’s ridiculous to expect to like someone who wrote a book you love, but the increasing visibility of writers on social media—who are expected to be the ambassadors of their books—amps up the pressure to be well-liked,” Cheryl Strayed said.
“Books are an existential crisis”
Kyle Winkler, in an editorial for Vouched Books (which I’ve mentioned previously), writes that “books are an existential crisis” because we can’t possibly read them all.
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On the New New Orleanians
Why, yes, I will link to anything Nathaniel Rich writes about New Orleans. You should appreciate the consistency.