“If you can get some brilliant artists to make a musical about your childhood, I highly recommend it. It’s very cathartic.” Recent MacArthur fellow Alison Bechdel‘s hugely successful graphic memoir, Fun Home, has been adapted into a Broadway musical, and now she’s written a coda to the book that looks at what the musical has meant to her and what it could have meant to her parents. Pair with our interview with Bechdel here.
Fun Home Coda
Book Cover Beauties
Snazzy speculative book covers for some Jules Verne classics. (via)
Pixar Concept Art Released
Pixar got the 2013 film buzz started early by sending out four images of concept art to ComingSoon.net prior to New Year’s Day. The artwork provides teaser images of films in the pipeline through 2016.
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Point Scoring
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Dear Matthew Specktor
Thanks to Stephen Elliot‘s Letters in the Mail project, LARB senior editor Matthew Specktor finds himself admiring the gorgeous handwriting of strangers, feeling tickled and gobsmacked, and reflecting on letter writing as something “beautifully useless to do.”
The New Gutenberg
In the latest issue of Harvard magazine, Nathan Heller writes about Arion Press, the last remaining “full-service letterpress in the United States.” Apparently Arion, which has “an in-house foundry where lead is melted into ingots,” sells editions of canonical titles (like Ulysses) that retail for thousands of dollars. (h/t our own Kevin Hartnett)
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A Spider of a Writer
Year in Reading alumna Parul Sehgal’s column for The New York Times debuted last week with her reflections on the great Czech writer Bohumil Hrabal. As she puts it, “He is a spider of a writer: subtle and sly, patient, with invisible designs. He never proclaims — he never needs to. He envelops.” Pair with John Yargo’s Millions essay on Hrabal’s fiction.
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The Franzen Printing Error
A Memory, Deconstructed
In Johns Hopkins Magazine, a remembrance of the Languages of Criticism and Sciences of Man Symposium, which brought together Jacques Lacan, Roland Barthes and Jacques Derrida, among others. About Derrida, Professor Richard Macksey (whose library you may have seen) recalls: “I’m not sure we were clear about where this guy was going.”
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