“If you can get some brilliant artists to make a musical about your childhood, I highly recommend it. It’s very cathartic.” Recent MacArthur fellow Alison Bechdel‘s hugely successful graphic memoir, Fun Home, has been adapted into a Broadway musical, and now she’s written a coda to the book that looks at what the musical has meant to her and what it could have meant to her parents. Pair with our interview with Bechdel here.
Fun Home Coda
Tracy Morgan’s Brother From Another Mother
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Tuesday New Release Day: Russell, Koch, Crace, Mohr, Binchy, Conklin, Lasdun
New this week: Karen Russell's new collection Vampires in the Lemon Grove; buzzed-about thriller The Dinner by Herman Koch; Harvest by Jim Crace; Fight Song by Joshua Mohr; the final novel of the late Maeve Binchy, A Week in Winter; Tara Conklin's debut The House Girl; and James Lasdun's non-fiction Give Me Everything You Have: On Being Stalked.
Neil Gaiman’s Video Game
Neil Gaiman announced the launch of his first video game, Wayward Manor. The horror-fantasy author (whose latest book was recently reviewed by our own Tess Malone) told Mashable that the game follows “the misadventures of a ghost who wants nothing more than a peaceful afterlife.”
Motel Hell
The average book tour is filled with indignities, but none may be worse than getting kicked out of a cheap motel, which is exactly what happened to our own Bill Morris on the tour for his latest novel. At The Daily Beast, he recounts the unfortunate events that led to him getting booted from a Motel 6. You could also read his essay on listening to the audiobook of his own novel while on tour.
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Write / Right / Night / Owl
Kathryn Schulz's meditation on insomnia, on staying up late and writing deep into the night.
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Wild Things
Where The Wild Things Are, the beloved children's story written and illustrated by Maurice Sendak, arrives in US theaters in cinematic form this Friday, October 16th; see the trailer here. The excellent Spike Jonze (Adaptation, Being John Malkovich) directs.
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CIA-Funded Artists
During the Cold War, the CIA became entrenched in cultural life through an organization named, ironically enough, the Congress for Cultural Freedom. In order to fight communism, they funded socialist artists. The Awl has compiled a list of literary journals, including the Kenyon Review and The Paris Review, that were once supported by the CIA.