Recommended reading (and doodling): an excerpt from an upcoming translation of Martin Solares‘s How to Draw a Novel, complete with diagrams and squiggling lines. Pair with our own Hannah Gersen‘s look at authors’s methods for drawing and mapping their own novels-in-progress.
Make of this what you will, but when Lorde first read Year in Reading alum Wells Tower’s Everything Ravaged, Everything Burned, it struck her as “the best collection [she’d] ever read.” Her interview with Tavi Gevinson in Rookie reveals that she also loves Raymond Carver and Claire Vaye Watkins.
Frederick Douglass was one of the first people to use photography to control meaning. Picturing Frederick Douglass: An Illustrated Biography of the Nineteenth Century’s Most Photographed American catalogues his many portraits and how they contributed to our perception of Douglass. Our own Edan Lepucki writes about the place of slave narratives in fiction.
"A quick scan of the literature shows that the writerly gaze has been most often turned on male artists and their creative processes and passions." Claire V Mullins aims to redirect this gaze with a list for Electric Literature of 11 novels about female artists, including Zadie Smith's latest, Swing Time, which we reviewed last year. Related: Elizabeth Silver on the rise of strong female characters and the death of the literary ingénue.
"Our culture has focused so much attention on the most visible members of the Black Panthers that it has been easy to forget it was a nationwide organization -- an entity that needed to attract ordinary people who believed in something and were also willing to work for it." In the Times, Rembert Browne reviews two new books about the Black Power movement.
“By three a.m., the seven of us had drunk a case of champagne, plus two additional bottles, followed by whiskey digestifs for the men. ‘They do this all the time,’ Pierre’s wife Chloe whispered to me in English at one point—dismissively, but without malice. As if to say, sure, Pierre’s relatives were lushes, but perhaps this was how life should be, inévitablement.” I doubt I have to tell you what city this all took place in.
As a tribute to James Salter, who died on Friday at ninety, The Paris Review Daily republished his acceptance speech for their Hadada Prize, back in 2011. In the speech, Salter touches on George Plimpton, Barnes and Noble and his novel A Sport and a Pastime. You could also read our interview with the author.
"A neck cannot be modern. A neck is in time, belongs to time, but is not formed by it. My guess is that even photos of Neanderthal necks would not differ significantly... [They are] in a certain sense, pure nature. Something that grows in a certain place, the way tree trunks grow, or mussels, fungi, moss." Recommended reading: Karl Ove Knausgaard on the sanctity of bodies, the nature of truth, and the back of the neck. The third volume of Knausgaard's bestselling My Struggle hit American bookshelves last week. (Check out our own review of Knausgaard's previous volumes.)