“The gross-out factor of the last section stuck with me, but not in a way I enjoyed.” Writing workshop critiques as applied to your sex life.
Don’t Tell
Spit Spat
“I can tell you that, as of today, I don’t feel any different about Mr Whitehead, or his review, or my response.” Richard Ford doubles down on his reaction to a negative 2001 review by fellow novelist Colson Whitehead. (Said response, in case you missed it, was to tell Whitehead ‘you’re a kid, you should grow up,’ and spit in his face.) We hope Whitehead is laughing at home with his Pulitzer Prize, recently awarded for last year’s literary juggernaut The Underground Railroad. And as our own Emily St. John Mandel reminds us, there are far more gracious ways to respond to criticism.
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Scrivening a New Scrivener
“The last thing your creative brain needs is a klaxon shouting WRONG while you’re in the middle of a creative thought. Eventually, as you use Neo, you’ll stop thinking about spelling and typos. This will push your creativity to the next level. You can always step through a spell check any time you like. But not while you’re writing.” Hugh Howey, author of the Wool series, proposes a new word processor called Neo.“I’m currently talking with programmers and consultants on how to get this done,” he writes on his blog, describing the application’s potential features. “Might be a decade before anything comes to light, so don’t hold your breath. But I’m willing to invest the time and money to make this a reality.” Pair with programmer Philip Hopkins‘s meditation on code and writing.
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Curiosities: Listmania
W.W. Norton puts together a project similar to our Year in Reading (and with some participants in common): Writers Recommend.Another clever batch of recommendations: Village Voice asks several notables to recommend their favorite “obscure” books.Three Percent reveals its 25-book longlist for the “Best Translated Book of 2008” (Bonus Link: The Prizewinners: International Edition)A conversation with South African poet and anti-apartheid activist Breyten BreytenbachTodd Zuniga’s (of Opium Magazine and Literary Death Match) “favorite writers we haven’t heard of yet.”Best book cover designs of the year. (via 3% and kottke)Maud reproduces the memo behind the huge reorganization at Random House (which itself is just one part of the belt tightening hitting the publishing industry in recent weeks.)
Digital Tolstoy
“Russian author Leo Tolstoy’s entire body of work – all 90 volumes – along with comprehensive biographical materials has been posted online and will be available for free, a descendant said.”
He Is Not Pynchon
Penguin released a book trailer for the newest Thomas Pynchon novel in which a guy in a T-shirt that reads “I’m Pynchon” stands on a rooftop on the “Yupper” West Side and talks about his life. (To find out why I used the term “Yupper,” check out the recent New York mag piece on Pynchon that I wrote about last week.)
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Art, Lit, and Finnegans Wake
“I’m a writer through and through, but the art world—to a large extent—provides the arena in which literature can be vigorously addressed, transformed, and expanded.” Frederic Tuten interviews Tom McCarthy about the overlap between the visual arts and literature, the importance of reading, and living, voraciously, and the power of Finnegans Wake for BOMB Magazine. Pair with our own Nick Ripatrazone‘s review of BOMB: The Author Interviews.
The Thrill of Writing Prose
Bookforum interviewed Garth Greenwell about the queer tradition of autofiction, the impulse to write fiction, and the thrill of surprising oneself. Also check out this Millions review of Greenwell’s debut novel What Belongs to You.
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